Email Author Francis Davis
The best album of 2004, by a wide margin, was Maria Schneider's Concert in the Garden (ArtistShare). Critics need to be careful not to... More >>
OK, OK, I hear you telling me to get over it, but I can't. I've spent the month since November 2 sulking, seeking comfort in music I pretty much... More >>
Staged, as opposed to informal or impromptu, jam sessions were all the rage in the early '50s because they promised audiences juiced with post-war... More >>
A week or so after the election, when I heard that Bill Maher was being sued for palimony, my first response was, Oh no, what do they have on Jon... More >>
My father-in-law was in the hospital with pneumonia when I heard Brad Mehldau at the Village Vanguard in late September, so I left my cell phone... More >>
Leroy Jenkins has gotten back together with Sirone and Jerome Cooper, and that might be the best news in jazz this yearespecially since the... More >>
Back in the early '90s, when Alice Coltrane was refraining from performing in rooms where liquor was consumed, I saw her sit in for two or three... More >>
The last two discs of Holy Ghost, Revenant's worshipful, nine-CD Albert Ayler "spirit box," are given over to interviews, one a virtual... More >>
Regardless of what I or Wynton Marsalis might want, we're going to be hearing more and more collaborations between jazz improvisers and beat... More >>
Halfway through the ICP Orchestra's Aan & Uit, the 10-piece ensemble surges into "Barbaric," a swanky Hoagy Carmichael number he recorded... More >>
Amplification has been a given for so long now that when Barney Kessel died this spring at 80, it was startling to realize his was the first... More >>
Why fellow guitarists continue to revere Tal Farlow (19211998) is evident throughout The Complete Verve Sessions. Farlow's speed, his... More >>
"Nostalgia" and "De Siempre (Forever)," which follow each other midway through Charlie Haden's Land of the Sun and are among the CD's most... More >>
I'm vacationing in California as you read this, you're bracing for the Republican occupation, and FONT, the second annual Festival of New Trumpet... More >>
Why jazz is no longer as political as in the days of "Fables of Faubus" and "Alabama" has been the subject of much recent Internet chatter. You... More >>
I've figured out why I like Von Freeman's The Great Divide less than the 81-year-old Chicago tenor saxophonist's 2002 The... More >>
Duke Ellington's real instrument was his orchestra, Billy Strayhorn once said, echoing the maestro's own modest assessment of himself as a... More >>
Don't let the collective billing fool you. Recorded in concert last fall in various European cities, The Lost Chords is Carla Bley's... More >>
Mary Lou Williams's "St. Martin de Porres," recorded soon after the 1962 canonization of "the patron saint of the broom," a 17th-century Peruvian... More >>
It suddenly seems as if everybody's playing vintage Ornette Coleman: Jazz at Lincoln Center's oddly reproachful tribute earlier this year; Wynton... More >>
"It's only when you see the totality of someone's work that you understand what they were doing," Steve Lacy once said about a posthumous... More >>
The problem with being a polymath is that some of your attainments can fly right by people. Uri Caine has garnered no end of praise for his... More >>
Jazz being human, it covets whatever it thinks it's being denied. From Paul Whiteman and George Gershwin's attempt to make an honest woman of it... More >>
"Is the drummer always that loud?" a displeased Lincoln Center subscriber asked me during intermission of a concert featuring Elvin Jones with... More >>
Unless it was something new by the Art Ensemble of Chicago or Dave Holland, you could play me an ECM I've never heard, and chances are I could... More >>
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