Email Author J. Hoberman
Thanks to the Pacific Film Archive, an obscure treasure of Soviet silent cinema has been dusted off, tricked out, and sent into the world with the... More >>
Dedicated to Yasujiro Ozu, Café Lumiére is, in some ways, Hou Hsiao-hsien's melancholy rumination on the traditional... More >>
Adapted from Nobel laureate Imre Kertész's autobiographical novel of an Auschwitz boyhood, the Hungarian film Fateless has a... More >>
Rich and strange, Arnaud Desplechin's Kings and Queen is a movie of large gestures and outsize performances. This extravagant family... More >>
The New World has an imposing science fiction title, but Terrence Malick's long, moody, diaphanous account of love and loss in 17th-century... More >>
Four years of the Bush administration's unrelenting 9-11sploitation has finally persuaded Hollywood that it is not only safe to dramatize... More >>
The war on terror is a grim business, and so is Munich, Steven Spielberg's sincerely self-important account of the assassination campaign... More >>
Showbiz legends both, King Kong and The Producers feature sleazy, manipulative impresarios as a means to get at the exploitation... More >>
Susan Stroman's adaptation of The Producers is a reasonably accurate representation of the Mel Brooks musical she directed on Broadway,... More >>
That 10-ton gorilla in the room this holiday season is literally a 10-tonor maybe a 50-tongorilla. "It's huge, it's huge!" I heard a... More >>
Taken from a novel that Hitch himself wanted to adapt, Henri-Georges Clouzot's The Wages of Fear was the Euro smash of 1953. Set in an... More >>
The Museum of the Moving Image concludes its Laurel and Hardy retro with the team's greatest posthumous performance. Ken Jacobs's Ontic... More >>
The underground hit of the Tribeca Film Festival and the most widely discussed docu agitprop since Fahrenheit 9/11, Adam Curtis's The... More >>
Bleecker, MacDougalsay wha? Return rather to the thrilling days of the 6éme Arrondissement circa 1948, samedi soir with... More >>
Less than a classic but more than a curio, John Garfield's last vehicle marks the disintegration of Hollywood's old left andreleased in mid... More >>
Brokeback Mountain, which opens (finally) next week, is less a movie than a chunk of American landscape, or perhaps, as director Ang Lee... More >>
Producer Val Lewton established the gold standard for a particular kind of B moviesmart, literate, and economical. Like his equally... More >>
Death Rides a Horse Directed by Giulio Petroni BAMcinématek, November 23 through 25 BAM is dishing out spaghetti... More >>
Following Bad Santa by two Noels, The Ice Harvest is a hearty bah-humbug, suggesting that the mean-spirited Christmas flick might... More >>
Syriana, written and directed by Stephen Gaghan, is by far the Bushiest of Bush II thrillers. Set in the really big time, it's a... More >>
Fans of old-school French crime flicks will be reconvening at Film Forum, where Claude Sautet's 1960 Classe Tous Risques has what amounts... More >>
The latest in what has been a surprising two-year run of provocative features made in and around Israel, The Syrian Bride is a tale... More >>
The Johnny Cash biopic Walk the Line is less a booze 'n' Benzedrine showbiz inspirationalalthough there is plenty of thatthan... More >>
Sarah Silverman's cartoon bunny rabbit smile could make her the poster child for orthodontia, but it's her timing that's the real thing of beauty.... More >>
One of the last instances of New Left terror occurred in 1978 when Red Brigade extremists abducted Italian politician Aldo Moro. A five-time prime... More >>
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