Email Author J. Hoberman
It was a good yeara very good American year, at least as far as movies go. I don't think I've ever compiled a list with as few as three... More >>
Hey, we're back. After seven editions, the almost-traditional Village Voice poll of alt-press (and now other) film critics took a hiatus... More >>
It's been my experience that the classic movie figure to whom small children respond most immediately is not Buster, Groucho, or Betty Boop but... More >>
A great brooding thundercloud of a movie, Paul Thomas Anderson's There Will Be Blood arrives as if from nowhere on a gust of critical... More >>
Terry Zwigoff's Bad Santa is a one-joke movie, albeit a joke that professional reprobates like W.C. Fields or the young John Waters might... More >>
Several seasons into the post-2001 millennium, it's apparent that the long-moribund Hollywood musical returns to life each December in the form of... More >>
Perhaps not seasonally appropriate but a gift all the same, Facets' 30th- anniversary release of Hans-Jürgen Syberberg's phantasmagoric,... More >>
Danny Williams, subject of Esther Robinson's documentary portrait A Walk Into the Sea, was a '60s casualty. His brief life derives cultural... More >>
Much appreciated by Mexican cineasts, writer-director Francisco Vargas's accomplished first feature The Violin is a solemn, suspenseful,... More >>
Ousmane Sembène, the Senegalese filmmaker who died last spring at age 84, was African cinema's founding father. More than that,... More >>
I'm Not There is the movie of the yearbut to whom does Todd Haynes's Bob Dylan biopic actually belong, and when was it really... More >>
Hardly a collection of Harry Smith outtakesalthough a number of his favorite songsters are representedthe 70 blood-chilling,... More >>
Already the subject of considerable ink, Swedish master Ingmar Bergman's posthumous reputationor "overrated career," as Jonathan Rosenbaum... More >>
Acid flashback or déjà vu? Who, having lived through the late '60s, would have anticipated re-experiencing the spectacle of an... More >>
Downstairs at the Museum of Modern Art, avant-garde filmmaker Ernie Gehr has put together a five-screen installation bringing the 19th-century... More >>
The most plastic-fantastic of Soviet new-wave movies, set among the colorful Gutsul people of the remote eastern Carpathians, Sergei Parajanov's... More >>
Was there really a Mexican cinema before Alfonso Cuarón, Guillermo Del Toro, Alejandro González Iñárritu, and Carlos... More >>
For the next four weekends, the Museum of the Moving Image will be screening vintage Warhol in what may be the largest such event since Warhol's... More >>
Wristcutters: A Love Story, a well-wrought indie written and directed by Goran Dukic, has to be the kewpie doll of current zombie flicks:... More >>
There's a cineaste myth that Jean-Luc Godard's La Chinoise, which opened in New York on April 3, 1968, at the out-of-the-way Kip's Bay... More >>
The least predictable and most interesting of younger French directors, Arnaud Desplechin may also be the most film-intoxicated. Desplechin's... More >>
Concluding a month that brought the sixth commemoration of 9/11, a video missive from Osama bin Laden, and a surge endorsement by General David... More >>
Exit Ghost is the start, or possibly the end, of Philip Roth's long goodbye. It identifies itself as the last of the Zuckerman novels,... More >>
Materializing during the Kent State spring of 1970, with M*A*S*H in release and The Angel Levine, not to mention Where's... More >>
Calling all pundits. It's a baffling caprice of the zeitgeist to have two studio westerns released in the same month, 30-odd years after the genre... More >>
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