Email Author J. Hoberman
(Raoul Walsh, 1924). The most lavish of Douglas Fairbanks vehicles features all manner of still-impressive... More >>
(Guy Maddin, 2008). Guy Maddins confessional bargain-basement phantasmagoria transforms his wintry hometown into a city as mysterious as... More >>
(Carl Theodor Dreyer, 1932). Dreyer's most radical film concerns a confused young man (his producer) who stumbles across a conspiracy of vampires... More >>
The year wanes, and the working critic is obliged to ponder the mystery of personal taste, per the Roman rap artist Catullus, "I hate and I... More >>
All hail Andrew Stanton's WALL-E—even us! Sometimes, the movies really are universal. And so a major studio's mainstream,... More >>
(Martin Scorsese, 1973). The quintessential American indie in attitude (if not production history), Mean Streets was the movie in which... More >>
(Agnieszka Holland, 1981). Agnieszka Holland's strongest film, produced for Polish TV, is a stunning evocation of ignorance, superstition,... More >>
A tremendous critical success in France, French-Tunisian writer-director-actor Abdellatif Kechiche's The Secret of the Grain is a... More >>
Ari Folman's broodingly original Waltz With Bashir—one of the highlights of the last New York Film Festival—is a documentary... More >>
Elia Kazan was not known for his drolleries, although his sometime collaborator Tennessee Williams had a taste for the absurd. Together, these... More >>
Ripped from yesterday's headlines—or, perhaps, given the scenario's emphasis on motherhood, from history's womb—Nothing but the... More >>
The Wrestler may be plenty visceral, but it's no more a sports movie than professional wrestling is a competitive sport. Chronic... More >>
(Charles Chaplin, 1925). Including the dancing rolls, the human turkey, and the New Years Eve party where no one comes, this is the grand... More >>
In the City of Sylvia is pure pleasure and pure cinema. The fifth feature by Catalan filmmaker José Luis Guerín (shown... More >>
Modest but cosmic, Kelly Reichardt's Wendy and Lucy—shown this past fall in the New York Film Festival—is a movie whose sad... More >>
And so the endless campaign wraps up with a flurry of virtual leaders. Richard Nixon will always be part of America's dreamlife, with or... More >>
(José Luis Guerín, 2007). Pure pleasure and pure cinema, Catalan filmmaker José Luis Gueríns fifth feature... More >>
(Robert Rossen, 1961). Solid and moody, this adult drama provided old lefty Robert Rossen a comeback of sorts; it also gave Paul... More >>
Over the past three decades, the German cine-essayist Hartmut Bitomsky has staked out a position at once lofty and material—making coolly... More >>
I hear America singing and I see . . . Richard Nixon. Not the man, but the muse: Has any president since Lincoln inspired more movies, TV... More >>
(Wang Bing, 2007). Unprompted and unrelenting, an elderly Chinese woman recounts her harrowing experiences during the 1950s... More >>
Gus Van Sant has never been a risk-averse filmmaker, but he directs his Harvey Milk biopic so carefully, there might be a Ming vase balanced on... More >>
(Stan Brakhage, 1969). Stan Brakhage ended the 60s with this glorious, two-hour plus romantic epic. He described it as an attempt to... More >>
(DW Griffith, 1925). Its a small irony of film history that humorless, moralizing D.W. Griffith would supervise W.C. Fieldss screen... More >>
Some 23 years in the making, Ellen Kuras's first film as a director is a portrait of Laotian refugee Thavisouk Phrasavath. The Betrayal... More >>
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