Email Author J. Hoberman
The White Ribbon is Michael Haneke's first German-language film since the original Funny Games (1997) and, addressing what used... More >>
2000 1/10: America's top Internet-service provider announces plans to acquire the world's largest media conglomerate. At... More >>
Topping the 10th annual Village Voice Film Critics' Poll, The Hurt... More >>
The decade closes with a flashback to the medium's once-vaunted universal appeal, although The Hurt Locker's impressive consensus... More >>
Sherlock Holmes is another critique of filmmaking—if only by example. As over-emphatic as one might expect from the ham-fisted Guy... More >>
Detective stories imply that mysteries can be solved, or at least rationally explained. Even the most debased example is a secular article of... More >>
The money is on the screen in Avatar, James Cameron's mega-3-D, mondo-CGI, more-than-a-quarter-billion-dollar baby, and, like the Hope... More >>
What to get the continentally inclined cinephile who has everything? Last year's must-have DVDs were the long-awaited director-authorized... More >>
Elaborating on his new career as the master of the jive-talking, echt-American, extravagantly titled faux–straight-to-DVD policier,... More >>
A one-film cabinet of curiosities, The Lovely Bones turns the most successful CGI director of the '00s loose on one of the decade's... More >>
It wasn't called the Factory for nothing. Andy Warhol was a master of the aesthetic assembly line—harnessing all manner of talents in his... More >>
Dir. Kathryn Bigelow (2002). Kathryn Bigelow's fiercely wrought time-twister is a literary mystery that weaves an ambiguous marital thriller with... More >>
Film Ist. a Girl & a Gun, a feature-length assemblage by the 57-year-old Austrian architect-filmmaker-musician Gustav Deutsch last seen... More >>
Up in the Air goes down like a sedative. This is a movie that's easy to like—and to dislike as well. Less adapted from than... More >>
Dir. Jacques Tati (1953). A delight from beginning to end, this was Tatis first international hit. In some respects the French Jerry Lewis,... More >>
Dir. Ingmar Bergman (1966) Bergman responded to the innovations of the international avant-garde and the French new wave, dramatizing an... More >>
Dir. D.W. Griffith (1916). This lavish, delirious exercise in parallel action stacks up four lavish narratives and lets... More >>
Dir. Jean-Luc Godard (1965). Jean-Luc Godards 1965 conceptual masterpiece is a hardboiled, Pop Art, sci-fi gloss on Jean Cocteaus... More >>
Dir. Tim Burton (2008). Tim Burtons adaptation of Steven Sondheim's quasi-operatic exercise in Dickensian-Brechtian Grand Guignol is a... More >>
The most significant American artist before Andy Warhol to take "the media" as his medium, Orson Welles lives on not only in posthumously... More >>
The Road, Cormac McCarthy's Pulitzer Prize–winning, Oprah-endorsed, post-apocalyptic survivalist prose poem—in which a... More >>
Dir. Jerry Lewis (1962). Jerry Lewis wreaks havoc on a movie studio in this under-appreciated classicwildly self-reflexive but considerably... More >>
Dir. Ernst Lubitsch (1919). This early Lubitsch comedy is The Cabinet of Dr. Caligaris benign twin. A blatantly theatrical artifice,... More >>
Dir. Tsai Ming-liang (2001). The poet laureate of Tapeis urban anomie integrates Paris into his particular planetthe sense of urban... More >>
Dir. Tim Burton (1996). This may not be the first Hollywood blockbuster based on a bunch of old bubblegum cards, but its the boldly... More >>
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