Email Author Jerry Saltz
The New Museum's spotty spark plug of a show devoted to that flash in the pan and ache in the heart known as the East Village art scene reminds us... More >>
Daniel Lefcourt is a non-painter's painter. He's an artist who happens to make paintingsalthough maybe this could be said of all... More >>
Christopher Wool is the New York painter West Coast critics love to hateand I mean hate. This became clear to me while I was boning... More >>
I love the new Museum of Modern Art. I love that it's not some glitzy, historicizing trophy building, that it's been built with exquisite... More >>
Adorno wrote, "Art perceived strictly aesthetically is art aesthetically misperceived." In that sense, it's skewed to view Paul Chan's work as... More >>
At around seven o'clock on the night of April 5, 2002, Trisha Donnelly stole my aesthetic heart. That evening, the then 28-year-old artist rode... More >>
Barack Obama's keynote speech at the Democratic convention made an implicit truth explicitly clear: Color is less relevant than our obsession with... More >>
New York's new art season got off to a rousing start a few weeks ago when more than 80 exhibitions opened within 10 days. I was raring to go, but... More >>
My initial thought on peering through LFL's glass door at Phoebe Washburn's psychedelic tsunami of an installation was that this promising young... More >>
In 1972, when I was a deeply green, 19-year-old Midwestern art student, I was blown away by a Lee Bontecou survey in Chicago. Here were these... More >>
Most of us come to the art world as gypsies and outsiders. Filled with intoxicated, supple, brilliant delusions, we come, as Poe said, "splendid... More >>
"California Earthquakes" is a so-so summer group show. Scruffy, plucky, and crowded, it resembles a student auction or an exhibition in a bar. As... More >>
After drifting on cloud nine through the Metropolitan Museum's glorious "Byzantium: Faith and Power (12611557)," captivated by some of the... More >>
The Jewish Museum's fine Modigliani retrospective and all the essays in its catalog are geared to do one big thing. That this doesn't happen... More >>
"Drunk vs. Stoned" is one of the most diverting group shows of the year. It's also one of the daffiest. Not all the work is top-notch, although... More >>
Total lucidity, exquisite enigma. Resplendent figures moving in warm light and murky shadow. Pools of hue, smooth plaster, sun on a sleeping... More >>
"Open House: Working in Brooklyn," the smorgasbord with which the Brooklyn Museum is celebrating its snazzy new glass entrance, lives up to its... More >>
It's rarely mentioned that many of the artists who get naked for their work have great bodies. Hannah Wilke was a beauty, Lynda Benglis a babe,... More >>
Mark for mark and line for line, the drawings of Girolamo Francesco Maria Mazzola (1503-1540), known as Parmigianino (loosely, "the little guy... More >>
I was going to begin this by saying, "Here's a promising young artist who might otherwise pass under your radar." Then on March 21, that artist,... More >>
Shrink artmany of us have seen it. I'm not talking about shrunken objects or about things wrapped in clear plastic. I'm referring to... More >>
Call this the OK Biennial. The 2004 Whitney Biennial never goes off-the-tracks bad but it rarely goes off-the-charts good, either. There's a lot... More >>
Aside from my biennial wish that the biennial be an annual and have a 50-50 male/female ratio, I have five other list-queenly qualms about this... More >>
In defense of the staggeringly radical act of really looking, the wildness of the imagination, and the limitlessness of pictorial invention, I... More >>
Initially, the antipathy between India and Pakistan captured in A Season Outside, Amar Kanwar's intensely affecting 30-minute... More >>
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