Email Author John Beer
A week of striking writers has reduced you to chuckling along with Jimmy Kimmel ad libs. Spurn X, the 10th outing by a sketch-comedy troupe... More >>
In a Chicago landscape of actors' showpieces and unapologetic realism, Sean Graney and his company, the Hypocrites, stand out because of their... More >>
Elizabeth Crane's 2003 debut collection of stories, When the Messenger Is Hot, offered the unusual combination of experimental forms... More >>
To paraphrase Spinal Tap's Nigel Tufnel, there's a thin line between genius and stupid, one that Peter Mills and Cara Reichel walk with flair in... More >>
No stranger to success, Tom Stoppard is nonetheless enjoying a banner period in New York. So Boomerang Theatre Company has smartly timed this... More >>
Bigger isn't always better. First a one-act in Madison, Wisconsin, then a hit at last year's Fringe, Walmartopia has metastasized into a... More >>
With its comfy chairs and amiable atmosphere, Here's American Living Room festival aims to invest cutting-edge theater with the cozy familiarity... More >>
33 to Nothing may do its bastard subgenre-the rock-and-roll-rehearsal playas well as it can be done. If so, the painful... More >>
One would need a helium-filled heart for it not to sink at the mention of an operetta based on the life of Dr. Martin Luther King. Like a jazz... More >>
Poet Gerald Locklin, perhaps best known for his longtime friendship with Charles Bukowski, shares his illustrious pal's penchant for pickled... More >>
Richardson and Berney's 1944 chestnut Dark of the Moon has survived through the attention of school and community groups, who've been... More >>
As if in answer to Tom Sellar's recent complaint in these pages about the dearth of international theater in New York, FoolsFURY Theater Company... More >>
A bunch of renegade wits amuse one another with intricate stories, while outside the walls of their villa society collapses. It's hard to say... More >>
Will Adamsdale and Chris Branch have devised a wry fable set in a cheery Philip Dickian dystopia, performed as a spin on the classic music-hall... More >>
It's been almost 20 years since Annie Sprinkle first demonstrated the performance potential of a speculum in Post-Porn Modernist. Back then,... More >>
The 1994 massacre of Rwanda's Tutsis by their Hutu neighbors may have earned the country a horrific place in the media, but it has so far garnered... More >>
David Zellnik's Serendib travels all the way to Sri Lanka to discover that, given the chance, a multinational team of animal behaviorists... More >>
Both Nathaniel Hawthorne and Orhan Pamuk spent most of their twenties in their bedrooms, meditating on the themes that would drive their fiction.... More >>
Courtney Baron's new play concerns an occupational hazard common to doctors and brainy New Yorkers: a clinical imperviousness to experience. When... More >>
For all their dramaturgical fireworks, these two one-acts by Thomas Bradshaw pull their punches a little. Thomas Bernhardlike Bradshaw, a... More >>
Despite name-checking CBGB and Delancey Street, this adaptation of the Russian playwright Edvard Radzinski's She, in the Absence of... More >>
No one can fault Cynthia Hopkins for lack of ambition. Her new multilayered performance piece, the second in her Accidental Trilogy, crosscuts... More >>
Their downtown-theater savvy may win Radiohole comparisons to Richard Foreman and the Wooster Group, but the more relevant reference points might... More >>
Carlo Goldoni's 1745 comedy The Servant of Two Masters marked a sea change in Italian theater. Tossing out masks and improvisation,... More >>
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