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Jonathan Kiefer

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  • 5 months ago

    At the end of Tsai Ming-liang's modestly confident 1992 debut, seen from arm's length and from above, a clutch of sad little phone-dating cubicles looks like something out of Jacques Tati. Except instead of a mod Parisian arena for coy clowning, t...

  • The sad irony of Still Life, with the great English character actor Eddie Marsan as a quiet crusader on behalf of those who die alone, isn't the movie's title; it's the abiding indignity of its stress on dignity. It's hard to affirm...

  • 8 months ago

    The sad irony of Still Life, with the great English character actor Eddie Marsan as a quiet crusader on behalf of those who die alone, isn't the movie's title; it's the abiding indignity of its stress on dignity. It's hard to affirm life by leavin...

  • The late New Wave auteur Eric Rohmer equated his films to novels -- that's what auteur means, after all -- and A Summer's Tale feels like a great beach read of a movie, that deceptively slender paperback you tuck into your luggage because...

  • 1 year ago

    The late New Wave auteur Eric Rohmer equated his films to novels — that's what auteur means, after all — and A Summer's Tale feels like a great beach read of a movie, that deceptively slender paperback you tuck into your luggage becaus...

  • Legend has it that after not cutting it as a probation officer, Shep Gordon dropped some acid and stumbled into Hollywood, whereupon Janis Joplin punched him in the face and Jimi Hendrix said to him, "Are you Jewish? You should be a manager," and...

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