Email Author Melissa Anderson
Murderous Maids meets Monster, Giada Colagrande's debut feature is a grim, risible downward spiral of pseudo-porn. Maria (Natalie... More >>
"Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again," writes Susan Sontag in On... More >>
An exercise not in the banality of evil but the evil of banality, The Aryan Couple sets real-world horrorsthe Final Solution, Hungary... More >>
In this update of Chekhov's The Seagull, a châteauful of French bores suffers from a strand of cinemania whose primary symptom is... More >>
Dinaz Stafford's documentary about the Garos of Meghalaya, rice farmers who have lived in relative isolation for 6,000 years in northeast India,... More >>
"Film is such a wonderful art," chirps Marilyne (Hélène Fillières) in Arnaud and Jean-Marie Larrieu's A Real Man, one... More >>
Necessary but flaccid advocacy, Jim de Sève's gay-marriage doc opts for easy lionization and vilification over nuanced analysis. Centering... More >>
"I am not the candidate of any political bosses or special interests. I am the candidate of the people," Congresswoman Shirley Chisholm announced... More >>
Deborah Kampmeier's muddled, miserable first feature about maculate conception will make you look back fondly on 1985, the year Godard's Hail... More >>
Making the lavender programming on Showtime seem like The Children's Hour, Helen Lesnick's Inescapable is good dirty fun. Soft-butch... More >>
