Email Author Melissa Anderson
Consider: If Tennessee Williams's script for Joseph Losey's 1968 turkey Boom! (an adaptation of his play The Milk Train Doesn't Stop... More >>
"It'll be just like in the movies: We'll pretend to be someone else." So says Betty to Rita in Mulholland Drive, an invitation to an... More >>
Big-screen interpretations of Joan of Arc are often ridiculous (Jean Seberg in Saint Joan, Milla Jovovich in The Messenger), can be epically... More >>
The titular infant on the poster for Ricky bears a striking resemblance to the cherub on the cover of Van Halen's 1984 (minus the... More >>
The 39 comedies—screwball, black, musical, and otherwise—in Film Forum's "Madcap Manhattan" series span the Jimmy Walker through... More >>
Likably stoopid, the latest from comedy troupe Broken Lizard (Super Troopers, Beerfest) mines plenty of jokes from eating out and... More >>
The Joan Didion and John Gregory Dunne of Brooklyn-based independent filmmakers, So Yong Kim and Bradley Rust Gray are partners in work and... More >>
Jim Sheridan's remake of Danish director Susanne Bier's 2005 original on the familial and psychic trauma caused by Operation Enduring Freedom... More >>
Timothy Hutton is duct-taped to the potty, and Meg Ryan is just plain potty in this posthumously produced Adrienne Shelly script directed by... More >>
Rebecca Miller's fourth feature may be the only film you'll ever see with both Cornel West and Monica Bellucci in minor roles. But it is also... More >>
English, Tagalog, and Thai are spoken in Swedish writer-director Lukas Moodysson's Mammoth, but he communicates only in the idiom of... More >>
Another poor, massive, uneducated African-American teenager lumbers onto screens this month, two weeks after Precious and obviously... More >>
This year, BAM's annual pentad from France features a filmmaker with shingles, Swedish rock, a stubborn zipper, Catherine Deneuve buying a... More >>
With more references to vaginas than Our Bodies, Ourselves, Sebastian Gutierrez's Almodóvar-in-the-'80s accented comedy isn't... More >>
By pure serendipity, two magnificent movies about ballet—one fiction, one fact; one a restored classic, one a brand-new work making its... More >>
Since it already premiered on PBS as part of "Masterpiece Contemporary" on October 25 (and on British TV in May), the theatrical release of... More >>
A film only Hilton Kramer could love, (Untitled) aims wide and misses, its satire of the contemporary-art scene seemingly lifted from... More >>
He's a sex machine, righteous brother, and one bad mother: Who cares if the title character in Scott Sanders's blaxploitation spoof looks more... More >>
"Democracy is messy and nasty and sensational" recalls one of the talking heads in Joan Braderman's spirited doc about the Heresies, the... More >>
Don Imus's 2007 remarks about "nappy-headed hos" underscored the immense fear of and fascination with the hair follicles of African-American... More >>
"One must have a heart of stone to read the death of little Nell without laughing," Oscar Wilde quipped about the virtuous, beleaguered heroine... More >>
Anne Fontaine's Coco Before Chanel gives us Belle Époque Coco, opening in 1893 with a grim scene of the 10-year-old waif and her... More >>
Seconds after the world... More >>
Baby, look at me. Gone are Leroys cornrows, short-shorts, and leg warmers: The anodyne adolescents in 25-year-old Kevin... More >>
Recent American films about families, like last year's Rachel Getting Married and Revolutionary Road, all too often pierce... More >>
