Email Author Michael Atkinson
Like a B-12 shot in the ass after hot months of malt liquor and White Castle, Osmosis Jones resuscitates the filmgoing summer with a vital... More >>
The distinctive siren song of the original Planet of the Apes films has a powerful subterranean charge. Whatever its surface attractions... More >>
When it comes to Portuguese cinemaanother national legacy Americans know next to nothing aboutthe argument usually begins and ends... More >>
Slumming actors in safari vests stalk through the tropical overgrowth; a digitally manifested dinosaur bulldozes out of the brush; screaming... More >>
An exploding plastic inevitable, Final Fantasy: The Spirits Within dares you to be amazed by its soulless mimeograph of humanity. In a... More >>
The new African film Adanggaman is as fundamental, and as haunted, as a combat scar. Landing visually somewhere between Ousmane... More >>
The summer-event spilth being upon us, it's time to vaunt the last few months' richer video releases and thus recall how home entertainment... More >>
As deliberately dazed and confused as Run Lola Run was mechanical crash-and-burn, Tom Tykwer's The Princess and the Warrior may... More >>
Earnest, anemic, and ham-handed, Maggie Greenwald's new period drama, Songcatcher, occupies interesting territory: Appalachia circa 1907,... More >>
Bruce Beresford's new movie about the life of Alma Schindler-Mahler, Bride of the Wind, is a standard-issue fin de siècle costume... More >>
Peter Jackson's movie trilogy The Lord of the Rings raises the bar on pop-cult hype's global ubiquity and behemothic scaleNew Line... More >>
The Italy you confront in the new Walter Reade series is restlessly global in two opposing senses of the word: On one hand, immigrant-infused... More >>
In one resounding ker-splat, Hong Kong shitstorm Tsui Hark has finally made a crater above Canal Street, thanks to a blistering new film (Time... More >>
With DreamWorks' new all-digital confection, Shrek, computer animation has finally achieved a dismaying marzipan-ness. Three dimensions are... More >>
Somewhere it is etched in the spongy blacktop of popular-art history that the ideal, or at least appropriate, length for feature films is between... More >>
"I had to take time off, OK?" Charlotte Rampling coolly hisses to our very first question (Where've you been?), confirming her own off-putting,... More >>
Proving again that a Dogmatic vow of chastity can lead to a certain purity of hogwash, Kristian Levring's The King Is Alive is endearingly... More >>
Somewhere between a Sixth Generation soap-opera splurge and a gender-flipped mimeograph of The King and I, Yim Ho's Pavilion of... More >>
Kino! Kino! Kino! as Guy Maddin would saycinephiles are easy to suss out amid the metaglamour and thrill-seeking that amount to American... More >>
Just another symptom of our all-American film culture quarantine: Master Dutch documentarian/free-form personal filmmaker Johan van der Keuken... More >>
Hardly remembered, Jean-Marie Gauberts Les Visiteurs sucked up $100 million of European and Asian tickets in 1993 but earned about 14... More >>
"Tout est politique!" Thus Ousmane Sembène strips down the love-hate argument he has had for 35 years with movies, with the grim... More >>
With the sugar-smacked, thoroughly groovy Spy Kids, Robert Rodriguez proves he understands things about children's entertainment that have... More >>
Commonly referred to as one of the world's most conspicuous film cultures, Iranian cinema actually has a good shot at being the most significant... More >>
A silk-stitched Aussie softball that suggests an insecure nation plagued with longing for global consequence, The Dish plays like a... More >>
