Email Author Michael Atkinson
Is the "secret" of M. Night Shyamalan's mythic O. Henry saga The Village out yet? You'll hear a large, rattling groan of film-geek... More >>
The new Michael Mann movie Collateral began as a tagline so catchy it came with lint attached: A cold-blooded assassin-for-hire (Tom... More >>
Seriously, do you need film reviews to tell you what you already know? That the new studio meatloaf I, Robot"suggested by" Isaac... More >>
Fellini may be the most dated and retrospectively overinflated of the new wave era's headline acts, but La Dolce Vita (1960) is still a... More >>
Although it didn't seem obvious at the time of its release, The Bourne Identity (2002) is a quietly remarkable piece of studio-movie... More >>
Maurice Pialat, who died last year at age 77, was a Euro-film conundrumhailed yet reviled, widely distributed yet rarely appreciated,... More >>
Another ornery boar leaping atop the new millennium's pig-pile of demi-historical and/or magick-stuffed battle sagas, King Arthur is, on... More >>
Whatever bogus fireworks might be occupying the entertainment-industry airspace above our heads, it's always news when Ozu comes to town. One of... More >>
An inspired and uncompromised experiment in apocalyptic anxiety, Michael Haneke's Time of the Wolf is conceived as a headlong rush into the... More >>
In this year's edition of the city's favorite volcanic pulp-film festival, the bar for pure Asian movieness seems to be both higher and lower than... More >>
With his sensibility still vinyl-skipping somewhere in 1965, Brit would-be auteur Mike Hodges seems an unlikely candidate for re-emergence, and... More >>
Sad as it seems, the cinema devout must wait for fickle businessmen to acquire rights, manufacture copies, and release videos in order to get our... More >>
Indie films have an obvious edge over studio projects: They are free to be the best roadside chili dog in Monterey rather than another... More >>
Whatever else it may be, the Harry Potter edda is surely the most popular narrative about the dawning of pubertal awareness ever created, and in... More >>
No cinephiles, if asked to enumerate the world's greatest living filmmakers from their front-brains, would think to conjure up the... More >>
Nothing howls out for a good, steel-tipped satiric whipping like modern American evangelismthe public discourse is so poisoned with cant... More >>
For most intents and purposes, sequels should be considered a genre all their own. They are not, generally, "about" anything but their precursory... More >>
Of the Art Film-era über-auteurs, Fellini, Antonioni, Godard, Truffaut, Kurosawa, and Buñuel remain potent currency in one form or... More >>
How did we get here? An Oscar for Gladiator, a few Brad ab crunches, and suddenly it's 1957 again, when the classics (or, at least,... More >>
Historically, you could do worse than think of Jim Jarmusch as the Dylan among America's current generation of spitballing-structuralist indie... More >>
Lee Chang-dong's Oasis is, at first blush, one of those occasional miracles that approach leapingly scandalous material with a superhuman... More >>
Stress-cracked mother-daughter symbiosis gets a thorough microscoping in first-timer Julie Bertuccelli's Since Otar Left . . . , a... More >>
Designed from the flowchart up to be a kind of monolithic American metaphor, Fred Zinnemann's High Noon (1952)restored and rereleased... More >>
Destined to be overlooked and underappreciated, Yoji Yamada's The Twilight Samurai is a mature, revisionist, Budd Boetticher samurai epic.... More >>
You may not be able to accurately tag William Friedkin's The People vs. Paul Crump (1962) a forgotten filmin most senses, it has... More >>
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