Email Author Michael Atkinson
Salvatore Giuliano Criterion Finally available for the everyday cineaste, Francesco Rosi's seminal career-starter ignited... More >>
In retrospect, cinema under Euro-Communism turned out to have a significant upsideartists were restricted and potentially censured, but they... More >>
Let's take this moment to recognize an official movie genre, the Miramaxical, more or less defined as heavy-handed imports that could just as... More >>
Is there such a thing as a Buddhist film, and if there were, could you watch it without tumbling into a stupor? For all of cinema's meditative... More >>
If Lars von Trier didn't exist, would we be able to invent him? Movie-culture malcontent, formal nose-thumber, pro-am Dogmatist, petulant artiste,... More >>
"Many men are stored full of unused knowledge," once wrote Henry Ward Beecher. "Like loaded guns that are never fired off, they are stuffed with... More >>
The 900-pound gorilla of new wave-age DVD-box events, this eight-disc set starts with the Polish maestro's astonishing one-two pulverizing... More >>
With Spartan, David Mamet takes on the digi-tech, hard-Clancy-core intel thriller most often inflated by Tony Scott and like-minded... More >>
Spring finally arrives, the single remaining movie season not yet converted into a massive marketing skullfuck. Rather, the February-April spread... More >>
Given the historical context and literary roots, it's a wonder that the British film industry's post-war exploration of Gothic chaos hasn't... More >>
Having idled in Eurofest-land for four years, Jerzy Stuhr's The Big Animal is finally being hoisted here on the virtue of its Kieslowski... More >>
Two new films, African in their sympathies and traumatized materials if not necessarily in production fact, both glance off the state of life in... More >>
To recap: Lucas Belvaux's precocious trifecta is an adventure in simultaneity rather than progression; the three films can be viewed in any order... More >>
The first all-Afghan feature to be made since the rise of the Taliban in 1996, Siddiq Barmak's Osama could hardly be called a reactively... More >>
A pointillist master of middle-American disaffection, second-shoe-dropping comic rhythm, pop-cult radiation, and the deceivingly unsimple art of... More >>
Here, once again, the semi-annual Stuart Byron Movie Trivia Quiz attempts to confound the world's cine-trivia cabalists, who today have 3 billion... More >>
Shot all at once, interwoven like a Persian gabbeh, and released here in an unprecedented three-week sequence, the triple feature that... More >>
It's been a quarter-century or so since Australian movies began, with The Chant of Jimmie Blacksmith, to seriously contemplate the scorched... More >>
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