Email Author Michael Feingold
It was the worst of years; it was the best of years. I've never felt as much frustration and agony while theatergoing as I did during... More >>
Audiences love obsessives. Set a character with a crazy, unquenchable hunger center stage and they eat it up, whether the character's hunger is... More >>
Samuel (Rocco Sisto), the central figure of Richard Foreman's new work, Old-Fashioned Prostitutes (A True Romance) (Public Theater), has... More >>
Three obstinate females—one fictional and two historical—dominated my theatergoing last week. Tenacious women make great showy... More >>
The title of Richard Greenberg's new play, The Assembled Parties (Friedman Theatre), carries multiple meanings. Its "parties" are a pair... More >>
The onstage installation which the audience is invited to come up and inspect before the performance of Colm Toibin’s Testament of... More >>
Douglas Carter Beane's The Nance (Lyceum Theatre) has got what it deserves from Lincoln Center Theater: a first-rate production,... More >>
Adoption, a touchy subject in all instances, is the ostensible topic of The Call (Playwrights Horizons), a small, tautly written,... More >>
I'd probably be able to discuss Kinky Boots (Hirschfeld Theatre) much more lucidly if I could only figure out in what decade it's meant... More >>
Tentatively, I’d say that there might be some good work in Tim Minchin’s music and lyrics for the new musical Matilda... More >>
Nora Ephron's Lucky Guy Digests Its Drama for You; NAATCO's Strindberg Diminishes a Dream
Every play is a partisan act, giving only the playwright's view of the events it describes. When it's fiction, and the playwright has dreamed... More >>
The new musical Hands on a Hard Body (Atkinson Theatre) opened just as City Center's Encores! series revived the 1966 musical It's a... More >>
Christopher Durang's new play, Vanya and Sonia and Masha and Spike (Golden Theatre), which has just transferred to Broadway from its... More >>
A quote I often find myself recalling comes from the sociologist Erving Goffman: "Nothing exists like another person for bringing alive the... More >>
For Ann Richards, a Depression kid who rose to become an outspokenly liberal Democratic governor of Texas, everything in life was a challenge... More >>
Art is unjust. Its first rule is that there are no rules, and its second is that, if you don't have some to follow while you're creating it, a... More >>
"I could hate the lovable Irish," sings the hero of the 1961 Broadway musical Donnybrook! (Irish Rep), "but I'm Irish myself." We all... More >>
Since we have some tougher matters to digest this week, let's sweeten the deal by starting with dessert. I recommend, as the most deliciously... More >>
Onstage and off, the pleasures of sex have always played a major role in opera. While the lurid love lives of superstar divas kept the gossips... More >>
I should probably feel guilty. The world's in a horrible mess, and I'm having a wonderful time at the theater. When the world's in a mess, the... More >>
Martin Moran's new solo work, All the Rage (Peter J. Sharp Theater), records his paradoxical search for an anger he doesn't feel. Moran has... More >>
Proletarians are funny, apparently. Their low-class vulgarity and profanity makes us laugh because it's an equalizer: However refined we... More >>
Many people have worked very hard on the new production of Tennessee Williams's Cat on a Hot Tin Roof (Richard Rodgers Theatre), and I... More >>
Mad scenes, as the opera composers of the bel canto era well knew, make great opportunities for divas. I had never previously thought of Laurie... More >>
The Roundabout revival of William Inge's Picnic (American Airlines Theatre) is the sort of event that makes people wonder whether anyone... More >>
