Email Author Michael Feingold
Let's give Tony Kushner the praise he deserves. Finished before 9-11, his latest play draws an emphatic circle on the map around the place... More >>
Little stories of little people only became central to the theater in the last half of the 20th centuryjust when you think it would have... More >>
It weighs just under six pounds, a bulky rectangle 11 by 12 inches. Most of its 530 pages are triple columned. Heavy as a casket of coins, it... More >>
Greed is the drama critic's prevailing sin. Not greed for power or moneythough none of us would complain if the artists all did exactly what... More >>
For the last half century, French playwriting's been dominated by two masters of language who in some ways couldn't be less French: the Irishman... More >>
This will be my last Voice column for the next three months. Hold your applause, pleaseI'm not retiring or resigning. And, no, they... More >>
What is a fact? In the theater, most often, a fictional invention: Iago has been passed over for promotion, John Proctor has had an affair with... More >>
Some recent phenomenaamong them The Producers, Urinetown, Bat Boyhave been making me ponder again the future of... More >>
Where did the concept of "all-star" Chekhov productions begin? Probably with Katharine Cornell's 1943 rendition of The Three Sisters,... More >>
For an allegedly dead art form, the musical theater certainly keeps turning out, on compact disc, evidence of life. Anybody can produce a CD... More >>
For a brief time and a lucky affluent elite, the New York theater shrugged off its summer doldrums to become what I can't resist calling a Pinter... More >>
What, I wonder, would an audience of 20-year-olds make of Major Barbara? That is, assuming you could get them to sit still for an evening... More >>
The compact discs usually start trickling in before Christmas, with a major flood around Tony time, and every June I stack them in two little... More >>
According to Zeami, master spirit of the Noh drama, every great play has to contain yugen, "mystery." That being so, August Strindberg's... More >>
They call Measure for Measure a "problem play," I begin to think, in the same sense in which a recalcitrant infant is a "problem child." It... More >>
In the opening scene of Breath, Boom, a teenage girl is brutally beaten by a gang of her closest friends. Very near the play's end, the... More >>
How funny, just now, that playwrights should be imagining painters as heroes. We live at a time when contemporary painting, like playwriting... More >>
Gertrude, watching Hamlet duel, says, "He's fat and scant o' breath." Directors often cut this line, for obvious reasons; commentators explain... More >>
Funny that respectable farm folk should name their town "Thief River." These days, even Hell's Kitchen, where Lee Blessing's play is being... More >>
I had a momentary fantasy while weighing up the first two plays on this week's list: I envisioned the hero of Nocturne marrying the heroine... More >>
The thundering stampede of new plays having abated with the arrival of prize-giving season, the New York theater doesn't pause, but uses its... More >>
A quality-of-life graph of August Wilson's 10-play cycle, spanning the decades of 20th-century African American life, would probably reveal a slow... More >>
Is there a more intelligent and passionately committed director at work today than Peter Brook? And is there a more evasive and frustrating... More >>
If you leave aside the brutality, horror, devastation, and mass slaughter that it caused, Nazism was nothing but showbiz. Legions of commentators... More >>
José Rivera's new play is a simple one-scene confrontation between two people who love each other; a standard-issue naturalistic playwright... More >>
