Email Author Michael Feingold
The Watergate scandal was both the making of Martha Mitchell and her destruction. Without what her husband called "the White House horrors," she... More >>
In an item on the TV newscast that the heroine and her husband are watching as Reckless opens, a woman has given birth to a two-headed baby... More >>
Richard III's popularity, and its difficulty, come from its humor; Bernard Shaw used to say it was Punch and Judy raised to a philosophic... More >>
Trying belongs in the category of harmless plays, comforting fun for retirement-age folks, and non-painful for the rest of us. It belongs... More >>
Leave it to Neal Bell. So many recent plays have made forays into the noir genreconscious or unconscious, spoofing or surrealistthat I... More >>
Bryony Lavery's Last Easter is a jolly romp on the subject of assisted suicide; the charm of the concept carries its own fatal flaw. Who... More >>
Should Carnegie Hall be producing musical revues? In general, probably not. If it really wants to do something about American musical theater, it... More >>
The idea of a picaresque narrative that follows the adventures of an object rather than a human being is a cinematic invention. Its first... More >>
The best thing, for me, about Ivo van Hove's production of Hedda Gabler is that it reaffirms the depth and truth of Ibsen's great play. It... More >>
"Is there anything sadder than a whore?" asked Wedekind's Lulu, who didn't become one till shortly before her death. The five aging ladies of the... More >>
If some enterprising website would immediately post a downloadable version of Karen Finley's script for George and Martha, I imagine she... More >>
Sticks and stones may break our bones, but Eugène Ionesco was the writer who crystallized for all time the lethal power of words. Before... More >>
If turning the most quiveringly emotional "program" music of the 19th century into serene abstraction seems like a willful act, then Basil Twist's... More >>
Many things, including some audience members' hackles, are bound to rise when John Jesurun's Faust/How I Rose receives its New York... More >>
Trapped in an abusive relationship, Tim Miller's clearing out. A suitcase thrown onstage starts his new solo performance, and the evening contains... More >>
A man in Hollywood, Florida, got severely burned last week. Three Marine Corps representatives had driven up to bring him the news that his son... More >>
The Frank Wildhorn Dracula is not the worst musical ever written. But that's only because of its truly remarkable failing: It isn't extreme... More >>
People old enough to remember the heyday of summer stock may dimly recall a comedy titled Personal Appearance, in which Tallulah Bankhead... More >>
Mickey Rooney's still short. And so is the odd-lot assemblage of songs and reminiscences that he and his wife, Jan, have put together. At 84,... More >>
When you get old, you tend to look back. In the last few decades, at an age Americans optimistically call "golden," Horton Foote has been... More >>
I'm afraid now there is no other answer. That plague source, television, must be abolished. Otherwise I see no hope of making the Roundabout... More >>
The Frogs is an oddity: a "revisal," as they're called nowadays, of a show New York has never really seen. It began in 1941, when... More >>
Anna Russell used to explain that there were two types of Spanish song, which she called Spanish Polite and Spanish Rude. On the same basis, I... More >>
Kabuki, like other Japanese performing arts, began as a speedy, lively, vernacular show and slowed down over the centuries to become the stylized,... More >>
During World War I, James M. Barrie, the most tormentedly truthful of escapists, wrote Echoes of the War, a series of one-act trifles that... More >>
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