Email Author Michelle Orange
Troy Garity has a rangy, lonesome-stranger body and pouchy eyes. He can boot a cigarette butt to the curb like a champ and fill a frame with... More >>
In Stages, Dutch director Mijke de Jong's tensile family microdrama, the camera gets closer to its three main subjects than they can... More >>
Straight outta the woolly nethers of Portsmouth, Ohio, comes Not Your Typical Bigfoot Movie, Jay Delaney's infiltration of a two-man... More >>
With its delicate, fairy-tale bones and layer of politically conscious muscle, Azur and Asmar is a sleek and yet slightly unwieldy... More >>
Cynics make the worst romantics; they should know better, they know they should know better, and they'd die if you knew better. Forced... More >>
Barney Rosset is a tragic hero. He says so himself at the end of Obscene, stating—by way of a colleague's parting shot—what... More >>
Several ordinarily banal movies soldered into one amazingly bad one, Ripple Effect cannot be excused on the grounds of overweening... More >>
Having lurched through a gantlet of Sundance jeers, recuts, and release delays, writer/director Deborah Kampmeier's Hounddog—at... More >>
Though it knocks along with the steady heartbeat pace of a thriller and is painted in the languid, low-contrast shadows of a noir, Paul Krik's... More >>
Told with the tumbling urgency of the deeply personal, the story of Forgiveness, Udi Aloni's portrait of an American-Israeli soldier in... More >>
It is happily noted in the press materials for Richard Serra: Thinking On Your Feet, Maria Anna Tappeiner's documentary about the... More >>
Both a handy election primer and a bowel-rattling cry of fiscal doom, I.O.U.S.A. is an Inconvenient Truth for the debt crisis, a... More >>
Resist if you dare, and for as long as you must, but even the hoariest haters eventually succumbed to the girly, cottony charms of 2005's... More >>
Determined to cast only locals in his adaptation of Michel Foucault's I, Pierre Rivière, director René Allio combed... More >>
Neil Young wanted to tour the country that re-elected George W. Bush, dole out some demerits, light some fires, and maybe even sell a few... More >>
Making its world premiere as part of "Premiere Brazil!", MOMA's annual showcase of current Brazilian filmmaking, The Man Who Bottled... More >>
In The Doorman, director Wayne Price uses documentary techniques, including a pitch meeting with his actual producer, to suggest that... More >>
The most recent of three documentaries screening in anticipation of the career retrospective of French artist Louise Bourgeois, which comes to the... More >>
Groupie Uschi ("ooh-she") Obermaier has a name that's fun to say and a youth that reads like it was even more fun to live, but Eight Miles... More >>
The long stretches of dead air that, it can only be assumed, were supposed to be filled by laughter provide ample time for pondering what audience... More >>
Rachel Lloyd's accent is a study in transition: Neither the chewy drawl of her native Portsmouth nor the clipped patois of her adopted... More >>
The center of Beauty in Trouble, Czech director Jan Hrebejk's trying foray into soapy realism, is the kind of provincial, hard-luck lass... More >>
The Directors' Fortnight festival originated as a kind of enfant de resistance, born as it was in the supremely French spirit of protest... More >>
Director Eric Guirado's The Grocer's Son is a small, self-assured film that moves at its own pace, always staying one graceful step... More >>
Exploring several of the inconsistencies in the official account of the 1968 assassination of Robert Kennedy without stating an alternative... More >>
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