Email Author Michelle Orange
Hamlet gets the meta-treatment in Rosencrantz & Guildenstern Are Undead, a hipster vampire farce that layers genre goofs over a... More >>
Discretely drawn and elegantly photographed, Mademoiselle Chambon gives a French, working-class love triangle the Brief Encounter... More >>
The postscript reveal that Entre Nos, which follows a newly single immigrant mother as she ekes out a living on the streets of New York,... More >>
What might strike American viewers as the most quizzical thing about Looking for Eric, Ken Loach's humble ode to soccer heroes and... More >>
In gleefully ripping on both classic spy movies and T&A-obsessed Frenchmen, OSS 117: Lost in Rio reasserts the primary definition of... More >>
An artist-in-crisis piece run through a drab but quirk-conscious indie processor, Paper Man is everything a film like Lost in... More >>
An almost miraculously photographed showcase of some of the seven seas' least seen and most incredible specimens, Disney's Oceans (a... More >>
A union-busting doc with an adamant—if not quite apolitical—focus on the children slipping through the cracks, The Cartel... More >>
Ambitiously layered and almost completely incoherent, Pornography: A Thriller is a somber thesis film buried under a host of... More >>
A strange, largely inert indie thriller, Don McKay has got good bones (inspired by Blood Simple, it has a solid cast and a strong... More >>
Documenting both the largest Tibetan uprising since the 1959 Chinese takeover and the Dalai Lama's pre–Beijing Olympics diplomatic tour,... More >>
A couple of days into their cold-turkey detox in the woods of Upstate New York, childhood friends Neil (Carmine Famiglietti), a compulsive... More >>
When 16-year-old Sokvannara Sar, a charismatic Cambodian with a gift for his native folk dances, arrived in New York City in 2001 as the... More >>
A strangely elegiac incest movie, Hungarian director Kornél Mundruczos Delta relies so heavily on ellipses and atmospherics... More >>
Israel seems to have its own form of prestige cinema, where tortured suicide bombers and rending intergenerational conflict signal what period... More >>
Much is taken for granted in Carmel, Israeli filmmaker Amos Gitai's highly—almost exclusively—personal film collage. An... More >>
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