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Best Of 2010

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Best Of :: Arts & Entertainment

Best Literary Twitter Account
Colson Whitehead

Writers tend to use Twitter for self-promotion. Colson Whitehead uses it to express self-loathing. There are his failures as a parent ("The kid, as she repeatedly drives my fist into my face: 'Why are you punching yourself?' Me: 'I want to feel something' "). There are his struggles with depression ("Oh, look: my despair is crowning. So glad I'm here. To think they used to stand outside in the waiting room with cigars"). And then there are the bonkers, apropos-of-nothing narratives that go on, sometimes for days. One Tweet: "When you discover one of your clones has been turning tricks off the NJ Turnpike, you start to think about nature vs. nurture. Like, a lot." A second: "The IKEA exit, for those who were asking." The Whitehead of Twitter, of course, isn't confessing—he's turning a novelist's tricks to bear on the always-disingenuous rituals of self-presentation. Whitehead just lies better than the rest of us.

Best Young Playwright

Naming someone "Best Young Playwright" is tricky in a city so full of ascribing scribblers. We suspect that the best young playwright in New York never even gets producedthat he or she is a genius that no one understands, and so he or she doesn't get staged. Of the talented under-30s whom we are lucky enough to hear from, though, there's one we've especially fallen for, a writer whose plays have a quiet, hypnotic charm, a grace and humor that have won over audiences the past few seasons. She's able to take ordinary, low-key situationsa small-town acting class, guys wasting time in an alley behind a cafeand fill them with gentle comedy, generosity of spirit, and an eye (and ear) for the foibles that make us all so hopelessly human. Can a writer be a titan of modesty? If so, Annie Baker might be well on her way. Last season, she won a dual Obie for her plays Circle Mirror Transformation and The Aliens. We doubt very much taht'll be her last trip up to an awards podium.

Best Newish Concert Venue
Brooklyn Bowl

It's a profoundly odd place, Brooklyn Bowl, "posh bowling alley" being on the face of it a bizarre combination of words. And yet the Williamsburg spot is a beguiling mixture of low and slightly higher culture. Throw down on one of their 16 bowling lanes or just gawk at the enormous big-screen TVs looming above them; nonchalantly down a couple beers or luxuriate in a Blue Ribbon–provided full dinner menu including, allegedly, the most stupendous fried chicken ever fried. Oh, and, yes, there's music, too—a 600-capacity in-house venue booked by local powerhouse Bowery Presents that offers a fascinating mix of up-and-comers (rapper Yelawolf, indie rockers Real Estate), hip-hop celebs (Big Boi, Snoop Dogg, myriad ?uestlove DJ sets), and jam-band mainstays (Blues Traveler!). Embrace the absurdity and it's a great place to see a concert, actually, with plenty of distractions should you need any, and plenty of adventurous shows on the calendar.

61 Wythe Ave., Brooklyn, 11211
MAP
718-963-3369
Best International Culture Mash-Up
Austrian Cultural Forum

Glance in passing at this high, tapering, steel-and-glass tower in Midtown and you'll think conference rooms, suits, and lobby art. What you wouldn't expect to find is a show like "Under Pain of Death," which, in 2008, presented Manfred Erjautz's life-size electric chair constructed entirely from Legos. The Austrian Cultural Forum offers a full slate of free concerts, readings, and film screenings, in addition to the always intriguing exhibitions mounted in its sleek, multi-tiered galleries. "NineteenEightyFour," a lively group show from this past spring, featured art from the U.S. and Europe, including Paul Laffoley's Cosmogenesis to Christogenesis, a concoction of vinyl type, collage, and ink that brought together the Shroud of Turin, spiral galaxies, and the "Atomic Nun." Here is a secret refuge for any diligent but income-challenged culture vulture.

11 E. 52nd St., New York, 10022
MAP
212-319-5300
Best Improbably Enormous Downtown Jazz Festival

It's yet another dismaying frigid January weekend, with no one with an ounce of good sense daring to stray more than 10 feet from the warming light of his or her flat-screen TV, and yet a small pocket of the Village is teeming with enthusiastic live-music fans, shuffling briskly but happily from (le) poisson rouge to Kenny's Castaways to Sullivan Hall to Zinc Bar and back again, all in the name of . . . jazz? Yes, this year's Winter Jazzfest was a smashing success. The six-year-old institution (begun at the old Knitting Factory) broke out in a big way in 2010, parading several dozen adventurous downtown-jazz luminaries (Darcy James Argue, Vijay Iyer, Mary Halvorson) over two nights in front of a couple thousand (!) adventurous fans, new and old. Aided mightily by ambitious promoter cabals like Search & Restore and Revive Da Live, the two-day fete has now inspired spin-offs like June's similarly packed Undead Jazzfest, but, hell, anyone can draw a crowd then. Nothing warms the heart quite like a winter-coat-bearing capacity crowd at Kenny's Castaways ready for a challenge, defying the odds simply by being there, listening.

Best Army of Geeks

Remember that kid you were always teasing in high school? That nerd, that spazz, that total and utter dork? Well, he's back. And fully weaponized. A drama group for that persecuted, comics-reading dweeb in us all, Vampire Cowboys has been cutting a swath through downtown for a couple of years now. What their plays lack in character development and philosophical nuance, they more than make up for in broadswords and throwing stars. Ten years ago, Ohio University students Qui Nguyen and Robert Ross Parker dreamed of a theater that would reflect their goober sensibilities. A decade later, it's a fake-blood-soaked reality. Their repertoire includes riffs on the classics, such as Living Dead in Denmark and Alice in Slasherland, as well as more unapologetically plotless pieces, such as Fight Girl Battle World. They also develop new violent works in their Saturday Night Saloon. With an Obie Award, laudatory reviews, and a rabid fan base, these nerds are getting all the revenge they need.

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Best Literary Twitter Account: Colson Whitehead

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