village voice
RSS/Podcast feed for Village Voice News Status Ain't Hood
The All-Dirty Edition
Popped! Music Festival
Enter to win a trip to this year’s 3-day POPPED! Music festival in the Philadelphia, June 20-22nd!
Vlada Lounge
Enter to win a $50 gift certificate to Vlada Lounge!
Alice Smith
Enter to win tickets to see Alice Smith on Thursday, May 22nd at the Highline Ballroom!
SoHo Stroll 2008
Enter to win a SoHo Stroll 2008 broom signed by James Blunt and designed and decorated by the New York Academy of Art!
Elia Salon
Enter to Win A Hair Package Special by the BEST DOMINICAN SALON for you & a friend!
Lit Lounge
Enter for complimentary admission to see Power Solo from Denmark with Band Antenna, Sea That Dried Up, and Chem Trail at Lit Lounge!
United Artists
Enter to win a 90th Anniversary United Artists DVD prize package!
Iron & Silk
Enter to win 5 personal training sessions at Iron & Silk Fitness!
Books
Don't Call Him Haruki: Japan's Other Murakami Sees Red
by Mary Jacobi
January 27th, 2004 12:00 AM

Ryu Murakami: Soup to nuts
photo: Tetsurou Sato
In the Miso Soup
By Ryu Murakami
Translated by Ralph McCarthy
Kodansha, 180 pp., $22.95
Buy this book
With Almost Transparent Blue (1976) Ryu Murakami emerged as a chronicler of Japan's lost generation, the disaffected kids who grew up in the shadow of WW II with the singular burden of living in an increasingly wealthy country. (One of his more graphic novels served as the basis for director Takashi Miike's recent squirmfest Audition.) In the Miso Soup, the author's fourth novel to be translated into English, details the relationship between Kenji, a 20-year-old "nightlife guide," and Frank, 35, an American tourist seeking access to Tokyo's sex trade. For three days they drop money at peep shows and "lingerie pubs" in the Kabuki-cho red-light district, and find time for an improbable stop at a batting cage. Kenji guides his client through the raffish charms of the city's sex center, with its neon, touts, and dingy interiors, but the enigmatic Frank seems to have more than sex on his mind, and exhibits worrying signs of violence and instability.

Murakami's cynical depiction of Japanese prostitution departs from his more sympathetic Tokyo Decadence (1991), the coke-fueled s&m farce that he wrote and directed. Contrary to Michel Houellebecq, whose recent novel Platform proffers Thai prostitutes as a panacea to Western societal ills, Murakami exposes the myth behind the exoticism of sex tourism. Of post-coital depression, he writes: "There's not much chance of going to a foreign country for two or three days and finding a woman you like." These digressions take a backseat on Day 2, with an episode referred to as the "Great Omiai Pub Massacre" that reads as pure Miike mania. I prefer the author in social critic mode, but perhaps Frank's lethal sashimi-knife skills will play well on the big screen one day.

More by Mary Jacobi
Add a Comment

Not ? Login as a different user.

All reader comments are subject to our Terms of Use. By submitting a comment, you acknowledge that you have reviewed and agree to these Terms of Use.

Login or Register

Login or register to have a chance to win Free Stuff, subscribe to newsletters and much more!

Login Register

The Village Voice Ad Index
The Village Voice Summer Guide 2008

» click here to see more...

The Village Voice Summer 2008 Education Supplement

» click here to see more...

The Village Voice Spring Arts Supplement

» click here to see more...