Welcome to Roberto Klein's (Tyrone Power Jr.) midlife crisis. He hates his job, his wife's pregnancy has deflated his sex life, and he's lusting after a vampy starlet. Also, Roberto is a South Americanborn Jew (like Venezuelan director-cowriter Katz) who feels unwelcome in his new country of the blond. That sense of exile might have added poignancy and freshness to this tired genre rehash, but the film's wheezy New Age satire, relationship bromides openly cribbed from talk shows, and painfully amateurish execution make it as misbegotten as its protagonist.
Get the Film & TV Newsletter
Stay up to date on the best new movies with our critics' latest reviews, interviews and trailers for the films coming to a theater near you each week.
More Film News
- Scott Adkins Plays a Badass Actually Named ‘Colt McReady’ In the Effective ‘Close Range’
- Meet the Pole Who Tried to Warn the World About the Holocaust in ‘Karski & the Lords...
- Jane Fonda Faced Down the Seventies and a Killer in Pakula’s Masterful ‘Klute’
- He’ll Get Your Head Shaking: Surveying the Start of Chung Mong-hong’s (Likely) Great...