'Cléo From 5 to 7'
In Agnés Varda's take on the New Wave's girl-in-Paris scenario, the imperially named Cléopatre Victoire (Corinne Marchand) lounges on a girly bed strewn with kittens, dollish wiglet perched atop her coif, as her stocky maid fusses. A pampered chanteuse who tells herself that "ugliness is a kind of death," Cléo is a frilly basket case of bad faith: capricious, vain, and superstitious, an existentialist critique of the modern self as narcissistic pop star. She's the kind of deeply superficial character Sofia Coppola thinks she makes movies about. Varda portrays a slice of Cléo's life in faux real time, but this stretch from 5 to 7 p.m. is a far from random choice: It's the last two hours Cléo must wait until hearing the results of a test for cancer. At first facing her mortality with pouty petulance, the singer wends her way through the city (Varda's photojournalistic eye picking up vérité bits en route), eventually achieving a last-minute epiphany. With this, a more mature response to Breathless (Godard and Anna Karina make cameos as silent movie actors), Varda transforms the typical French cinema gamine into a complex, tragic figure: the girl who's all too good at playing plaything, forced to face the hollowness of her youth. (Cléo From 5 to 7, in a new 35mm print, kicks off IFC's yearlong salute to Janus Films, "Essential Art House: Janus Films at 50.")
Get the Film & TV Newsletter
Stay up to date on the best new movies with our critics' latest reviews, interviews and trailers for the films coming to a theater near you each week.
More Film News
- Scott Adkins Plays a Badass Actually Named ‘Colt McReady’ In the Effective ‘Close Range’
- Meet the Pole Who Tried to Warn the World About the Holocaust in ‘Karski & the Lords...
- Jane Fonda Faced Down the Seventies and a Killer in Pakula’s Masterful ‘Klute’
- He’ll Get Your Head Shaking: Surveying the Start of Chung Mong-hong’s (Likely) Great...