Glenn Close Recounts Humanity's Crimes Against the Planet in Home
Yann Arthus-Bertrands Home is an urgent jeremiad decrying mans plundering of the earths natural resources. Or so anyone who paid attention only to the films audio track would be led to believe. As mournful strings set the tone, narrator Glenn Close delivers a withering, if repetitive, account of humanitys crimes against the planet, a list that includes factory farming, deforestation, and the building of megalopolises that require an ever-increasing supply of energy to power. But while Closes testimony is sufficiently terrifying, moving toward an apocalyptic vision of climate-change catastrophe, the urgency of her tone is belied by the placidity of the films visuals. Capturing the earths rural and urban landscapes in a series of overhead shots taken across 54 countries, Arthus-Bertrand shoots everything with the same slightly bland, meticulously pretty kino-eye. The result is a leveling impulse that refuses to make an aesthetic distinction between uncontaminated nature (a hot spring turned a near-psychedelic aqua by its algae content), devastated landscapes (soil-eroded hills in Madagascar that look like raw meat), and the negative results of humankinds actions on impoverished populations (aerial shots of teeming Lagos). With everything glimpsed at a comfortable overhead distance, our planet becomes so much eye candy for the Nat Geo set.
Get the This Week's Top Stories Newsletter
Every week we collect the latest news, music and arts stories — along with film and food reviews and the best things to do this week — so that you’ll never miss Village Voice's biggest stories.