In Nothing Personal, Two Isolationists Thaw for Each other
In her tale of a brusque, prickly young Dutch woman who inexplicably cuts herself off from the world, except for a heavily circumscribed relationship with a man whose isolation is less voluntary, writer-director Urszula Antoniak hits a lot of expected notes. But she does so with a gracefulness that makes the predictable a tad less foregone. Carrying only an overstuffed backpack of belongings, headed anywhere and nowhere (vaguely evoking Sandrine Bonnaires title character in Agnès Vardas Vagabond), the never-named woman (Lotte Verbeek) encounters the expected perils of a female hitchhiking alone before she stumbles onto the isolated home of an Irish widower (Stephen Rea). He offers her food and lodging if shell help him work his farm. She accepts under the condition that they never speak, never attempt any sort of relationship. What follows, of course, is a slow chipping away of her armor as the two circle each other, tentatively connect, withdraw, and then repeat the process. The whole thing is a pleasure to watch, though, because Verbeek and Rea telegraph volumes of subtext beneath the dialogue theyre given, speaking to the human need for emotional and physical contactand the fear of the responsibilities and costs that come with it.
Get the Film & TV Newsletter
Stay up to date on the best new movies with our critics' latest reviews, interviews and trailers for the films coming to a theater near you each week.
More Film News
- Scott Adkins Plays a Badass Actually Named ‘Colt McReady’ In the Effective ‘Close Range’
- Meet the Pole Who Tried to Warn the World About the Holocaust in ‘Karski & the Lords...
- Jane Fonda Faced Down the Seventies and a Killer in Pakula’s Masterful ‘Klute’
- He’ll Get Your Head Shaking: Surveying the Start of Chung Mong-hong’s (Likely) Great...