Inspector Gadget (Matthew Broderick) is hysterical, not to say hysterically funny. The hero of Disney's live-action version of the '80s cartoon series literally can't contain himself. Ostensibly designed as a gentle Robocop, he is made of gadgets that are mostly frivolous accessories, many of which produce some sort of liquid or goo and threaten to erupt without warning. And if this weren't embarrassing enough, he wears his heart on his hat.
In an intriguing reversal, the brains of this outfit are the women. Until they revert to their more traditional female roles, scientist Brenda (Joely Fisher) and precocious niece Penny (Michelle Trachtenberg) help focus and control the emasculated hero's wayward appendages. Meanwhile, Gadget's rival, Claw (Rupert Everett), a smarmy diva who also has a predilection for wacky machinery, is too silly to be more than a phantom menace. The values of the old-fashioned everyman are affirmed as John Brown a/k/a Gadget, self-proclaimed "nice guy," learns to come to terms with his diminished stature in a technology-driven world. Aiding him in these efforts is the Gadgetmobile, with a voice that might as well have been supplied by Jar Jar Binks, but more jive-talking hep cat than Steppin Fetchit.
Known primarily for television commercials, director David Kellogg hasn't charted any new territory here. Shot mostly in close-up, with nearly every action accompanied by a sound effect, the film itself is slightly hysterical. It ignores narrative or any other sort of logic; much of its humor is derived from references to pop culture and numerous brand names. Kids today appreciate a good joke about merchandising tie-ins as much as they do scatological humor. Inspector Gadget suggests that the two might be closer than we'd thought.
Get the Film Club Newsletter
Stay up to date on the best new movies with our critics' latest reviews, interviews and trailers for the films coming to a theater near you each week.
More Film News
- Alex Gibney: Steve Jobs Had the 'Focus of a Monk — Without the Empathy'
- Netflix’s 'Narcos' Tries to Be 'The Wire' for Colombia’s Drug War
- ‘The Second Mother’ Offers a Sharp Brazilian Take on the Upstairs/Downstairs Drama
- The Predictability of Teary Kids Doc 'My Voice, My Life' Doesn't Make It Any Less Powerful