Retrospectives propose an alternative history of gay media; surveys of Tom Chomont, Matthias Müller, and ACT-UP revel in the heydays of raunchy underground liberation, New Queer Cinema elegance, and activist chic, respectively. The problem of pinning down what radical action could be in today's so-over-it climate haunts the best new work. In Duke & Battersby's twee trendoid quasi-spoof Being Fucked Up, a girly robot voice intones über-burnt epigrams: "I don't believe in art or socialism. I'm bitterly jealous of people who are good or successful."
A more earnestly touching heroism emerges in Scott Treleaven's The Salivation Army, a rantumentary about his wannabe-revolutionary homocore faux-gang. DIY grungy and surprisingly subtle, Salivation smartly links world-changing ambitions to perverse desires for purity and innocence. "I have seen the new face of radicalism," Treleaven narrates, "and it is cute." Like Dennis Cooper with a heart, he keeps outsider fires burning. In your face, Will & Grace.
'70s avant-garde filmmaker-cum-painter returns to the moving image
Marking the final edition of the NYUFF, one-time director Ed Halter looks back. And forward.
Anthology joins the Whitney to celebrate conceptual artist/filmmaker Lawrence Weiner
Standish Lawder opens more doors of perception
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