THE ANDROMEDA STRAIN (Robert Wise, 1971) Michael Crichton's scenario substitutes laboratory technobabble for gross-out scares, as scientists quietly battle an extraterrestrial bug that turns blood into powder.
THE CRAZIES (George A. Romero, 1973) A biowarfare experiment goes wrong, discharging deadly microbes and prompting a government cover-up. Martial law is imposed and the military resorts to shoot-to-kill measures.
SHIVERS (David Cronenberg, 1975) Or almost anything from the Canadian master's disease-ridden oeuvre. In this seminal early work, a venereally transmitted parasite turns the residents of a Toronto high-rise into erotomanic zombies.
THE CASSANDRA CROSSING (George P. Cosmatos, 1976) The token virus entry in the '70s disaster-movie cycle. A trainload of stars (Loren, Lancaster, Gardner) is exposed to pneumonic plague as a result of a terrorist attack on the "International Health Organization" in Geneva.
VIRUS (Kinji Fukasaku, 1980) Insanely morbid late-Cold War apocalypse howl. Germ warfare decimates the human race, then nuclear weapons blow up the planet.
OUTBREAK (Wolfgang Petersen, 1995) Ebola cash-in with Dustin Hoffman as the virologist hero. An entire movie theater is infected while watching What's Up, Doc?
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