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Related Stories (2)
Master Baffler: How Philip Guston Gave Form to Doubt
Tuesday, May 17, 2016 at 7 a.m. by R.C. Baker
"Paul Valery once said that a bad poem is one that vanishes into meaning," Philip Guston told an interviewer in 1966, adding, "In a painting in which this is a room, this is a chair, this is a head, the imagery does not exist — it v...
Heart on Canvas: Three Manhattan Shows, Three Politically Edgy Painters
Wednesday, June 3, 2015 at 4 a.m. by Christian Viveros-Faune
If all art is political, directly or indirectly, then our time is uniquely filled with breezy stuff that effortlessly plumps for the status quo. Still, there are artists who buck the funfair trends. Among these is an intergeneration...