Movie Reviews

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Down into the Black Hole with Turin Horse and Miners' Hymns The Turin Horse, The Miners' Hymns
By Nick Pinkerton, February 08, 2012
Béla Tarr, the Hungarian director who became something like the patron saint of slow cinema with 1994's 450-minute... More>>
Protect the Abs at All Cost Protect the Abs at All Cost
Ryan Reynolds's bod is the asset in men-on-the-run thriller Safe House
By Karina Longworth, February 08, 2012
“He's sooo hot,” the woman sitting next to me at the screening of Safe House sighed to her friend as the film's opening images of... More>>
For Better or for Amnesia For Better or for Amnesia
Rachel McAdams gets the sense knocked out of her in The Vow
By Nick Pinkerton, February 08, 2012
The Vow, a full-bodied lunge for the heartstrings, has a humdinger of a premise, forcing its characters to face a question that most of us ask... More>>
Short and… Sweet, Sincere, Cloying, Beautiful: Oscar Nominees, in Brief The Oscar Nominated Short Films 2012
By Tim Grierson, February 08, 2012
This year's Academy Award–nominated shorts offer a little something for every viewing temperament—though some categories require... More>>
Back from War, a Mom and Wife Fights the Consequences in Return Return
By Nick Pinkerton, February 08, 2012
Still wearing desert camo, Kelli (Linda Cardellini) comes back from a tour of duty in an unspecified country to the husband (Michael Shannon),... More>>
In Darkness: Down in the Sewer, Desperate to Survive In Darkness
By Michael Atkinson, February 08, 2012
Holocaust culture has proved to be essentially infinite—almost 70 years since the end of World War II, and untold stories of decimation and... More>>
The Dish & the Spoon The Dish & the Spoon
By Eric Hynes, February 08, 2012
In premise, plotting, and style, Alison Bagnall's sophomore feature would seem like just another mumble-stumble down micro-indie lane. Averting... More>>
Chico & Rita Chico & Rita
By Michelle Orange, February 08, 2012
In Oscar nominee Chico & Rita, the life of Cuban pianist and composer Bebo Valdés seems to have been translated first into fairy tale and... More>>
'Talking Landscape: Early Media Work, 1974-1984' 'Talking Landscape: Early Media Work, 1974-1984'
By Melissa Anderson, February 08, 2012
Chicago-born Andrea Callard, among the first wave of Tribeca artist-settlers in the early '70s, loved to find the country in the city. Several of... More>>
Journey 2: The Mysterious Island Journey 2: The Mysterious Island
By Melissa Anderson, February 08, 2012
Its production design inspired by Yes album covers and Candy Land, Journey 2: The Mysterious Island continues the weak Jules Verne–inspired... More>>
Bonsai People: The Vision of Muhammad Yunus Bonsai People: The Vision of Muhammad Yunus
By Aaron Hillis, February 08, 2012
Ideal only for the junior-high classroom, Holly Mosher's dull-as-dishwater doc fudges the line between socially progressive message-spreading and... More>>
Private Romeo Private Romeo
By Aaron Hillis, February 08, 2012
Although there was a time when only men were allowed to perform Shakespeare, writer-director Alan Brown's queer, all-male riff on Romeo and... More>>
Sundance in Crisis: 2012 Fest Felt Anxious, Just Like Us Sundance in Crisis: 2012 Fest Felt Anxious, Just Like Us
By Karina Longworth, February 01, 2012
It's dangerous to look at the lineup of the Sundance Film Festival, which ended Sunday, as a reflection of the character of contemporary indie... More>>
Horror, Stripped Down to Its Bones, in Ti West's The Innkeepers The Innkeepers
By Nick Pinkerton, February 01, 2012
Ti West, the 34-year-old writer-director of The Innkeepers, has spent the past several years steadily toiling his way through the ranks of horror... More>>
That Girl is Poison: Tuesday Weld, Not So Innocent Pretty Poison
By Nick Pinkerton, February 01, 2012
The promising first feature of director Noel Black's long, uneven career, Pretty Poison opened unpromisingly enough in 1968 New York, played... More>>
Save the Humans! Actors and Whales Trapped in Big Miracle Big Miracle
By Melissa Anderson, February 01, 2012
Starring everyone who wasn’t in New Year’s Eve—and larded with just as many bromides—Big Miracle is inspired by the true... More>>
LMFAO I Can Move Shit with My Mind: Teens with Superpowers in Chronicle Chronicle
By Aaron Hillis, February 01, 2012
In our status-updated, YouTubed, and retweeted age of self-documentation, does the “faux-found-footage” genre—popularized by... More>>
The Story of Film: A 15-Hour Tour Through Movie History The Story of Film: An Odyssey
By Nick Pinkerton, February 01, 2012
Most film-history documentaries, by necessity, limit their scope. This might mean filtering cinema through the director's particular prejudices... More>>
The Woman in Black The Woman in Black
By Melissa Anderson, February 01, 2012
A ghost story set in a never-clearly-defined era (the fashion suggests Victorian, the automobiles Edwardian), The Woman in Black aids in the... More>>
Kill List Kill List
By Chuck Wilson, February 01, 2012
Hit men have bills to pay, too, and sometimes a kid to feed and an anxious wife to placate even as they worry that their reputation in the... More>>
Perfect Sense Perfect Sense
By Mark Holcomb, February 01, 2012
Satisfyingly ambiguous and starkly tactile in its inquiry into where sensation ends and identity begins, David Mackenzie's rampaging-virus movie... More>>
W.E. W.E.
By Karina Longworth, February 01, 2012
W.E. is the second feature film credited to former MTV queen Madonna and the second recent film—after The King's Speech—to dramatize... More>>
Windfall Windfall
By Mark Holcomb, February 01, 2012
Extolling the virtues of wind power is where most ecological documentaries finish after subjecting us to the details of the land-raping... More>>
Bad Fever Bad Fever
By Nick Schager, February 01, 2012
The shaky handheld cinematography might be conventionally modern, but from its opening white-letters-on-red-background credit sequence to its... More>>
Splinters Splinters
By Michael Atkinson, February 01, 2012
Apparently, in the '80s, some fly-by-night pilot left a surfboard behind on the beach in a small Papuan village, and, this being the unpaved,... More>>
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Box Office

  1. Chronicle (2012/ I), 22.0 mil, 22.0 mil
  2. The Woman in Black, 20.9 mil, 20.9 mil
  3. The Grey, 9.3 mil, 34.6 mil
  4. Big Miracle, 7.8 mil, 7.8 mil
  5. Underworld: Awakening, 5.5 mil, 54.2 mil
  6. One for the Money, 5.2 mil, 19.6 mil
  7. Red Tails, 4.7 mil, 41.1 mil
  8. The Descendants, 4.6 mil, 65.5 mil
  9. Man on a Ledge, 4.4 mil, 14.6 mil
  10. Extremely Loud & Incredibly Close, 3.8 mil, 26.7 mil
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