Play "Spot the Filmmaker" in Sirk and Fuller's obscure, early film noir
J. Hoberman,
January 16, 2007
Old-school genre junk food: A cheap 79-minute time-waster that's all business (as opposed to busy-ness), with a deservedly minor star, written by... More>>
Halfway through Sundance, and still whistling a happy tune
Scott Foundas,
January 16, 2007
On the first Saturday of the 2007 Sundance Film Festival, I rolled out of bed and hustled up Main Street for the 8:30 a.m. screening of Tamara... More>>
Jude Law gets his urban renewal on in Anthony Minghella's dramatic dud
Nathan Lee,
January 16, 2007
Let us applaud, on principle, Anthony Minghella's return to small-scale storytelling. Breaking and Entering marks his first original screenplay... More>>
Live accompaniment for Bill Morrison's avant-garde collage
J. Hoberman,
January 16, 2007
Bill Morrison isn't the first artist to take decomposing film stock as his raw material, but he plunges into this dark nitrate of the soul with... More>>
Earlier this month, the Museum of Modern Art ran a test for Doug Aitken's large-scale outdoor installation Sleepwalkers, a big-budget video art... More>>
Filmmaker struggles to understand his father's horrific past
Jim Ridley,
January 16, 2007
Hanns Ludin, as remembered by his children, was a bon vivant and a lover of jokes, good food, and wine. And as Hitler's man in Slovakia during... More>>
Sometime around 1950, blue jeans went from farm wear to iconoclastic statement, becoming a kind of low-rise, boot-cut shorthand for free-market... More>>
Revolution, romance, and rockwhat else could you want?
J. Hoberman,
January 09, 2007
Austere, underlit, uncompromisingly lackadaisical at three hours, and anachronistic in a half dozen ways, Regular Lovers is the first New York... More>>
Born in Philadelphia, based in London, identical twins Stephen and Timothy Quay live in some imaginary early-20th-century Mitteleuropa. Their... More>>
Our critic comes of age as Eraserhead just gets better with time
Nathan Lee,
January 09, 2007
Like every touchstone of my nascent cinephilia, I first encountered Eraserhead on crap VHS. It was the late 1980s, I was 15, and I didn't know... More>>
The 10 films included in this year's Global Lens program at MOMA offer views from, uh, around the globe. Most notable, geographically speaking,... More>>
From the eardrum-shattering shout of "Attention!" that echoes over the opening logo through to the strobe-lit krump dancing contest that follows,... More>>
It's more than a little deceptive to sell a film as a serial killer thriller when the "murderer" in question is in fact a giant crocodile; even... More>>
In the face of Iran's Holocaust denial conference and contemporary desensitization comes this startling German doc
J. Hoberman,
January 02, 2007
After 20 months and 300 witnesses, "the horrific has become almost routine." So the narrator notes late in Verdict on Auschwitz, a 1993 German... More>>