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  • Microtones and Bebop - Joe Maneri Turns 75; Nick Brignola 1936–2002

    Article

    Microtones and Bebop - Joe Maneri Turns 75; Nick Brignola 19362002

    One of the infrequent pleasures of ethnic weddings and bar or bat mitzvahs in the era before DJs began contributing to musical unemployment (may God forgive me) was the chance encounter with jazz players hiding out in those bands. I can recall coming...

    by Gary Giddins on February 19, 2002
  • Teach Yourself Fugging - The Lower East Side’s First Underground Band Refuses to Burn Out

    Article

    Teach Yourself Fugging - The Lower East Sides First Underground Band Refuses to Burn Out

    The thing you have to accept about the Fugs is that they'll never sound as good as you hope. You assume the Lower East Side's first true underground band will be tough, gritty, minimalist, urban protopunks. Uh-uh. That was the Lower East Side's secon...

    by Robert Christgau on February 19, 2002
  • Gimme Three Stepsisters

    Article

    Gimme Three Stepsisters

    "Bobby's skull was split in two, my girl was partially embedded in the dashboard," but that wasn't enough. "The next day at graduation, everybody was saying that the paramedics could hear 'Free Bird' still playing on the stereoyou know, it's a very ...

    by Don Allred on February 19, 2002
  • Article

    On Beyond Bob

    A friend of mine told me a few months ago that his favorite new albums were by Montgomery Gentry, the White Stripes, and Dylan. "Hey, it's a blues-rock revival!" he said. I think that's cool, to lump them together like that, and what I like most abou...

    by Frank Kogan on February 19, 2002
  • Article

    Scumbag in the Dark

    "This album," the booklet inside Gary Allan's current Alright Guy reads, "is dedicated to Willie, Waylon, Johnny, George, Buck & Merle," which is a way of saying not "Garth, Tim, Kix, Ronnie, Kenny & Toby." Allan, originally from and still very much ...

    by James Hunter on February 19, 2002
  • Earache, My (Third) Eye

    Article

    Earache, My (Third) Eye

    Japan's is a culture of cute. Everywhere you turn, there is some infantilized icon being force-fed to a society that seems to gorge on silly banality like artificially sweetened mother's milk. The most visible symbol of cute gone wild is of course He...

    by Marc Weingarten on February 12, 2002
  • Another Foster's Sunrise

    Article

    Another Foster's Sunrise

    Australian singer-songwriter Kasey Chambers is the Artist Who Made Lucinda Williams Cry. That juicy bit of press-kit fodder circulated back in 2000, when Chambers released her debut LP, The Captain, a winsome collection of doe-eyed country-folk that ...

    by Shannon Zimmerman on February 12, 2002
  • Article

    Not Fragile

    The latest Yes album, Magnification, was recorded in Santa Barbara, the rich folks' town that marks the end of Southern California and the beginning of the central coast. Farther up the line is San Luis Obispo, another big Yes stamping ground. The ba...

    by George Smith on February 12, 2002
  • Music

    Article

    Music

    Rai Fidelity Hakim, the Egyptian Lion, belly danced to the pulsing beats and unstoppable hooks of his sha'bi love tunes, while Khaledwho headlined the bill of Islamic pop last Friday at the Beaconstuck close to the mic stand. His only apparent c...

    on February 12, 2002
  • Article

    Too Filmy to Describe - Even Without Props, Ingram Marshall Creates Ecstasy

    Ingram Marshall is the great poet of the indistinct. His music is filmy, nebulous. It melts. It enters unobtrusively and dies by slowly slipping away. In between the drama can be gripping, but it sneaks up on you. A friend once accused me of neglecti...

    by Kyle Gann on February 12, 2002
  • Speaker's Corner

    Article

    Speaker's Corner

    "Hitler was dead/Welcome to Babylon" is the great line Ian Hunter uses to sum up the dawning age of rock 'n' roll in "Wash Us Away," from his latest CD, Rant. The song is one of the ex-Mott the Hoople frontman's patented ballads-cum-ravers, and had a...

    by R.C. Baker on February 5, 2002
  • Article

    Three Dead in O-Hi-O

    Among the many liner notes to the Electric Eels' The Eyeball of Hell, it is told that guitarist John "Broken Hand" Morton relished punching otherseither in his band or on the streetin the teeth in 1975. The Eels picture shows a fellow resembling Fu...

    by George Smith on February 5, 2002
  • Get My Fill I'm Chilly Chill - TV Commercials, Old Ravers, and Australian Weirdos Surrender to Chillout's Narcoleptic Bliss

    Article

    Get My Fill I'm Chilly Chill - TV Commercials, Old Ravers, and Australian Weirdos Surrender to Chillout's Narcoleptic Bliss

    Recently I nearly slept through one of my favorite concerts. It was a Sigur Ros show, and my friends managed to score front-row balcony tickets. We had a perfect viewpoint from which to watch all the sloooow-mo black-and-white experimental films whil...

    by Barry Walters on February 5, 2002
  • Play Mixy for Me

    Article

    Play Mixy for Me

    Making mix tapes used to be an all-consuming passion. Spending hours, days, and nights wading through records, compiling, adding, subtracting, erasing, I'd make thematic cassettesall women, all hard rock, all r&b. Or else, I'd just make 'em eclectic...

    by Tricia Romano on February 5, 2002
  • Article

    Barely Legal

    The best new song I've heard in the past year is called "A Stroke of Genius," but don't bother looking in a record store. Someone called the Freelance Hellraiser chopped up the instrumental sections of the Strokes' "Hard to Explain," rearranged them,...

    by Douglas Wolk on February 5, 2002
  • 'Gypsy' State of Mind - Bireli Lagrene Returns to the Source

    Article

    'Gypsy' State of Mind - Bireli Lagrene Returns to the Source

    Bireli Lagrene, whose electrifying new album, Gypsy Project (Dreyfus Jazz), represents his best work in several years, must have days when he feels like Michael Corleone: Every time he gets away from the Django Nostra, they drag him back in. I'm not ...

    by Gary Giddins on February 5, 2002
  • Music

    Article

    Music

    Charlies' Angeles Counterprogrammed against last Tuesday's axis-of-evil ratings stunt, a double bill at Irving Plaza provided contradictory glimpses into the state of the Britpop empire. Barely out of their teens (and named for a 32-year-old Tim Bu...

    on February 5, 2002
  • Article

    Throw Your Hands in the Air

    Pazz & Jop handicappers often look to this prepoll CG for clues to previously ungraded finishers, and a few do sneak in below. Mostly, however, I've been coming to terms with the hip hop crop of late 2001, which caught Christmas sales and escaped the...

    by Robert Christgau on January 29, 2002
  • Collapsing New Waves

    Article

    Collapsing New Waves

    1978, London: Tough to get any of those punks to shut up and listen, busy as they are screaming and being gobbed at. A nonplussed Daniel Miller, billing himself as the Normal, pens two mono-intoned, electrodrone un-ballads in response: "Warm Leathere...

    by Nick Catucci & Nick Rutigliano on January 29, 2002
  • Easy-Chair Rap

    Article

    Easy-Chair Rap

    It was inevitable. At a certain age, every pop genre begins to decelerate. In turn, its audience harkens for past glories and achievements, celebrating artists who uphold tradition rather than subvert or destroy it. How else to explain the emergence ...

    by Mosi Reeves on January 29, 2002
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