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  • Walk on Gilded Splinters

    Article

    Walk on Gilded Splinters

    Marie Laveau the First, celebrated Nawlinze voodoo queen, returns to Gotham after a 113-year sleep in deepest, darkest Africa. Her earliest stop is at a Harlem soul kitchen recommended by the Spirits. The Last Great American Witch needs to revive her...

    by Kandia Crazy Horse on April 30, 2002
  • Article

    Sugar Daddy

    I heard somebody on the street call Cee-Lo "the fat motherfucker from OutKast" a few weeks ago. Cee-Lo is actually the fat motherfucker from Goodie Mob but that misrecognition sums up the Goodie situation. In the public's mind and in Soundscan's data...

    by Sasha Frere-Jones on April 30, 2002
  • Article

    Motherland Connection

    The main thing wrong with Kwaito: South African Hip Hop, an Earthworks compilation from 2000, was its subtitle. If anything, the style on display was more like South African hip-housedeep four-four beats, vocals heavier on chant than flow, hooks ram...

    by Michaelangelo Matos on April 30, 2002
  • Music for Unwinding - Music Boxes and Photocells in a Land Beyond Time

    Article

    Music for Unwinding - Music Boxes and Photocells in a Land Beyond Time

    Given Conlon Nancarrow's exploration of the player piano and John Cage's appropriation of the record player, the arrival of the music box to serious music was inevitablebut why did it take so long? Outlier, the recent CD of new music-box works by Ne...

    on April 30, 2002
  • Music

    Article

    Music

    Freedom Songs Whatever you think happened in Jeninthere is no consensus at press time, nor will there ever beyou can't argue that "occupation" is now an understatement. So a benefit to end the West Bank occupation, planned last fall and finally...

    on April 30, 2002
  • Article

    Sneer and Loathing

    Elvis Costello is such an asshole. Every record he makes is a genre exercise, and an implication that he's more culturally enlightened than his mortal admirers. When I Was Cruel is an exercise in the "old Elvis Costello and the Attractions" genre, wh...

    by Douglas Wolk on April 30, 2002
  • Slow Ride - Houston Screws Off the Cough-Syrup Cap

    Article

    Slow Ride - Houston Screws Off the Cough-Syrup Cap

    Funny that the only strain of hip-hop that truly qualifies as Da Next Big Thing would make Russell Simmons wanna join Creed as the management flunky who shaves Scott Whatshisname's concave chest. It's called screwed music, or just plain "screw," afte...

    by Anthony Mariani on April 23, 2002
  • Apostle of LS&N - Bill Charlap's Trio Play the Melody and Listen to Each Other

    Article

    Apostle of LS&N - Bill Charlap's Trio Play the Melody and Listen to Each Other

    In making his brief for Kipling, Randall Jarrell wrote of those oppressively mighty figures in politics and art upon whose leave-taking the world"tired of being their pedestal"gives "a great oof of relief," only to elevate its own personage of equa...

    by Gary Giddins on April 23, 2002
  • Article

    Doo Doo Doo (Heartbreaker)

    Rock and roll history is dominated by eccentrics, assholes, weirdos, pimps, players, con men, junkies, beautiful losers, geniuses, poseurs. Sometimes, though, the pantheon makes room for folks like Jeff Tweedy, who reminds me of dozens of lost souls ...

    by Christian Hoard on April 23, 2002
  • Article

    Replacement Party Tonight!

    First time I popped A Tribute to Nashville (Robert Altman's movie, not the city) into the player, I did what I'm guessing most people will dowent straight to track 12, Kelly Hogan's cover of "Dues," the original of which by Ronee Blakley accounts fo...

    by Phil Dellio on April 23, 2002
  • Music

    Article

    Music

    You Buggin' What You Buggin' Who One of Harry Partch's greatest innovations was to compose songs around the tones, timbres, and rhythms of human speech. The Locust, a hardcore quartet from San Diego, follow much the same idea, but they compose aro...

    on April 23, 2002
  • Demolition Men

    Article

    Demolition Men

    On the Internet, no one knows you're a lanky, bespectacled laptop nerd with too much software and not enough time (or inclination) to leave the house. But they assume it anyway. Why else would you be sifting through hip-hop tumbleweed, grabbing snipp...

    by Jon Caramanica on April 16, 2002
  • Skipping on Air

    Article

    Skipping on Air

    When I lived in London in the post-swinging '60s, the Indian-run cornershop that would inspire an indie band's ironic name was far from a fixture. My own neighborhood didn't have one, for example. In those years, the stereotypical immigrant from the ...

    by Carola Dibbell on April 16, 2002
  • Article

    Fire Dance

    Fusing traditional Gnawa ritual and Yoruba linguistics with chaotic ivory and free verse on his eighth album in the past half-decade, Chilean-born pianist and vocalist Omar Sosa constructs bridges between Morocco, Cuba, and Americamercurial arpeggio...

    by Derek Beres on April 16, 2002
  • Article

    Music

    Several protopunks and many reggae collections are scattered below, the reggae representing a long investigation that left such eminences as U-Roy and Beenie Man in my Neither file. Wish there was a Pick Hit in the bunch. BANG ON A CAN Terry Rile...

    by Robert Christgau on April 16, 2002
  • Article

    Music

    Baby I'm a Star (Again) Prince operates on so many levels it's hard to keep up with him. "Last time I checked this is not 1984," he rapped shortly after taking the stage at Avery Fisher Hall on April 9. "If you came to get your Purple Rain on you m...

    on April 16, 2002
  • Time Will Reveal

    Article

    Time Will Reveal

    I had to listen to Cassandra Wilson's Belly of the Sun three times before I was convinced it was a jazz album. Recorded in her native Mississippi, at the storied rural crossroads between blues legend and plantation nightmare known as Clarksdale, Bell...

    by Carol Cooper on April 9, 2002
  • Article

    Less Is More

    The Tweet single "Oops (Oh My)" has just one drum, a simple Timbaland rhythm that hits the counter beats instead of the main ones. There's a hurdy-gurdy riff above it, which drops out for just some dub echo in the breakproving that the way to put va...

    by Frank Kogan on April 9, 2002
  • Jam On It - Hippies, Jazzbos, and Beat Junkies Build One Nation Under a Mutant Groove

    Article

    Jam On It - Hippies, Jazzbos, and Beat Junkies Build One Nation Under a Mutant Groove

    Let us now praise great Americans: Louis Armstrong, Jerry Garcia, and Grandmaster Flash made their history with equal parts pioneer cojones and improvisatory derring-do. They had a lot in common. Back in the day, each would move their crowd, playing ...

    by Will Hermes on April 9, 2002
  • Everyone Hates Miss Popular

    Article

    Everyone Hates Miss Popular

    In "Payphone," a mid-tempo matrix of fast harmonies and heartaches on The Big Room, the second album by the Norwegian duo M2M, a young girl walks around in ominous weather, although she never mentions rain or snow or anything like that outright. "Jus...

    by James Hunter on April 9, 2002
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