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  • Article

    Sugar On Me

    As deceptively sweet as the Shirelles, with moments of Shangri-Las-style radical moodiness, the All Girl Summer Fun Band claim "fun" as both the good and the bad. Whatever the circumstances (and many involve dudes), this team of Oregon ladies want to...

    by Hillary Chute on July 23, 2002
  • Article

    Who Needs Eminem?

    Reviewing the Vines' debut single, New Musical Express gushed thusly: "You've got to imagine that by the end of the year, the Vines are going to be bigger than U2, Gareth Gates and Nickelback combined. We're not joking. This is a record you must own....

    by Christian Hoard on July 16, 2002
  • Article

    Destroyed - Hip-Hop's Ur-Self Got Himself a War

    It figured to be an anointment. Last week's Hot 97 Summer Jam was Nasir Jones's forum. The previous year, he'd been skewered by Jay-Z; this time, he was headlining, a symbolic acknowledgment that in the battle of titans that engulfed hip-hop last win...

    by Jon Caramanica on July 16, 2002
  • Article

    It's in Her Kiss

    The one and only time I saw X was at the Tomorrowland Terrace at Disney World during an event billed as the World Series of Entertainment. If memory serves, Tommy Tutone ("867-5309/Jenny," of course) and Bertie Higgins ("Key Largo," as if you don't r...

    by Shannon Zimmerman on July 16, 2002
  • Where's Waldo? - Looking for Uncle Jazz at the 2002 JVC Something-or-Other Festival


    Where's Waldo? - Looking for Uncle Jazz at the 2002 JVC Something-or-Other Festival

    A brief July 9 press release about the flagship event that ran from June 16 to June 29 begins with an announcement from George Wein ("CEO of Festival Productions, Inc."): "The 2002 JVC Jazz Festival-New York was the most successful JVC festival ever ...

    by Gary Giddins on July 16, 2002
  • Music



    Good Golly Miss Dolly Dolly Parton found Jesus at Irving Plaza last Wednesday night, though he's absent from the CD she was promoting, Halos and Horns a non-denominational, New Age blend of mountain roots that borrows from her earlier pop hits an...

    on July 16, 2002
  • Sonic Euthanasia


    Sonic Euthanasia

    What do you do when your favorite band starts sucking? Stop buying their albums. But what if you can't, because you're so into them that you just have to know every note they record, even if it's unlistenable crap? And you have such a personal connec...

    by Amy Phillips on July 9, 2002
  • Peacock Rock


    Peacock Rock

    One of the spookiest verses in the whole pop arcanum belongs, as it should, to Robert Johnson: "I got stones in my passway and my road seems dark at night," he cries, repeating the line before the killer twist: "I have pains in my heart, they have ta...

    by Erik Davis on July 9, 2002
  • Tigers in a Spotlight


    Tigers in a Spotlight

    Even when I was a child in short pants, Mumsie always impressed upon me the importance of practicing a cheerful and impersonal version of noblesse oblige whenever dealing with the common man. The workers who fixed our fences and who took care of our ...

    by Scott Seward on July 9, 2002
  • Article

    In the Inknight Hour

    Northern State are three young women living in the flash and spirit of 1980, batting words and rhymes back and forth just like the Furious Five of yore, discovering themselves as we discover them, and like the pre-"Message" Five they rap with genuine...

    by Frank Kogan on July 9, 2002
  • Article

    Spreading the Net

    When the pickings get thin, roam. Find below old music from South Africa, Zimbabwe, Colombia, and Brazil. Three of these albums are imports, the last old-not-current rather than old-archivaland the best "new" album I've heard all this thin year. ...

    by Robert Christgau on July 9, 2002
  • Music



    Detroit Rock City At the "Get Hip!" showcase on June 28 at the Warsaw, the big draw was supposedly Scotland's wacky punk outfit the Rezillos, who haven't toured the U.S. before and are famous for that sweet (I guess) 1978 anthem "(My Baby Does) Go...

    on July 9, 2002
  • Effective but Defective - Tom Waits Wears His Mask Like a Pro


    Effective but Defective - Tom Waits Wears His Mask Like a Pro

    Tom Waits, who has just become the first major artist to release two new albums simultaneously since Bruce Springsteen back in mesozoic 1992, is a rock professional for the new century. After 30 years on the "margins," he is perfectly positioned to t...

    by Robert Christgau on July 2, 2002
  • Say It Isn't So - How Not to Broaden the Jazz Canvas


    Say It Isn't So - How Not to Broaden the Jazz Canvas

    The unceremonious booting of the Carnegie Hall Jazz Band from Carnegie Hall is old news, but hasn't been much addressed in or out of the jazz press, perhaps because George Wein, whose baby the CHJB was, capitulated without a fight to the hall's new e...

    by Gary Giddins on July 2, 2002
  • Missouri Loves Company


    Missouri Loves Company

    No, Nellyville isn't the gay ghetto in St. Louis, but it is an alternative utopia. When 23-year-old Cornell Haynes Jr., nicknamed Nelly, released his first LP, Country Grammar, in 2000, it sold over 10 million copies and yielded multiple hits, includ...

    by James Hannaham on July 2, 2002
  • Reality Soundbites


    Reality Soundbites

    I can faithfully, honestly say that hiphop is dead. Q-Tip Hiphop being counterculture, underground culture, that's sorta dead. It's all mainstream. It's just a bunch of pop music. Meshell Ndgeocello Anything that's not growing is dead. So we...

    by Miles Marshall Lewis on July 2, 2002
  • Lifestyles of the Rhythm - Dance Music Accesses an Unseparatist Pop Sensibility


    Lifestyles of the Rhythm - Dance Music Accesses an Unseparatist Pop Sensibility

    Time was, people loved or ignored or scoffed at dance records the same way they bought or didn't buy other kinds of pop records. The music would come from a singer like Donna Summer, say, during disco's '70s commercial peak. Or, during the '80s, when...

    by James Hunter on June 25, 2002
  • Here Comes a Regular


    Here Comes a Regular

    Since rock-critic shmendriks tend to fixate on persona, and since I'm going to do exactly that for most of my space here, let me first take this opportunity to holler at Anthony Davisa/k/a Minneapolis hip-hop producer Ant. On his duo Atmosphere's Lu...

    by Michaelangelo Matos on June 25, 2002
  • Article

    Endangered Feces - Blectum From Blechdom: They Came, They Saw, They Rectum

    Experimental electronic producers love to talk about incorporating mistakes and digital dysfunction into their music. Listen to their records, though, and it's hard to imagine anything less messy: Pristine and prissy precision rules, with every last ...

    by Simon Reynolds on June 25, 2002
  • Basquing in Glory


    Basquing in Glory

    Fermin Muguruza enunciates the tongue-twisting chorus of his perky ska/Latin/pop/rock hybrid "Hitza Har Dezagun" so clearly that you'd think his Brigadistak Sound System was intended as an instructional record in his native Basque language. If you're...

    by Todd Kristel on June 25, 2002
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