The Ten Best Concerts in New York This Weekend, 3/8/13
Rock a little harder with the Deftones at Terminal 5 Saturday
Here are the 10 best concerts this weekend, in no particular order.
Deftones Terminal 5 Saturday, 8pm, $33.50 Even without considering the 2009 car crash that left founding bassist Chi Cheng comatose, we'd still have to call Deftones the greatest survivors of the nu-metal era, though on some level we're all lucky have to escaped it alive. The two albums they've released since the accident are almost glowing with the same emotional potency that animated "Minerva," "Digital Bath," and "Be Quiet And Drive" all those years ago, with distortion as a warm blanket wrapped tenderly around thoughts and feelings, instead of a wet one being used to smother them. -- By Vijith Assar
I Don't Hear Nothing But the Blues Trio ShapeShifter Lab Sunday, 8pm, $10 Drummer Mike Pride and saxophonist Jon Irabagon have been messing with extended improv forms for the past few years, the tension and tumult of their expressionistic forays becoming blustery ragas. For last year's Appalachian Haze, they added Orthrelm guitarist Mick Barr, who brings hints of drone to the mix. To steal line from Roland Kirk, it's rip, rig, and panic time when they come screaming towards an apex, and they never met a crescendo that wasn't worth imploding. -- By Jim Macnie
Kavinsky + Alex English Webster Hall Friday, 10pm, $20 If you have trouble listening to Kavinsky's music (specifically the Lovefoxxx collaboration "Nightcall") without seeing Ryan Gosling driving through L.A. with his hands on the wheel and a toothpick in his mouth, you are not alone: A year and a half ago, the opening scene to the movie Drive offered such a perfect pairing of audio and video that the two will always be linked. If you feel like breaking that association (or even if you don't), turn to the French producer's new OutRun, a collection of retro-bangers that surrounds "Nightcall" with a dozen new songs, most equally indebted to the sound of '80s action movies. Once you finish, stock up on toothpicks and head to Webster Hall, where he headlines tonight's Girls & Boys party. -- By Nick Murray
Danny Tenaglia Pacha Friday, 10pm, $20 After attending parties at the Paradise Garage, Danny T from Brooklyn embarked on a DJ career that would take him around the world. Tonight, he returns home to New York, playing to ravers half his age at Pacha in Hell's Kitchen.
Paquito D'Rivera Jazz at Lincoln Center Friday, 7:30pm, $55 It's almost fifty-eight years to the day that Charlie Parker's joined the Hot Seven in jazz heaven, but Bird lives, as the saying goes, in this case through consummate Cuban multi-reedist Paquito D'Rivera, who brings an Afro-Cuban flair to standard bebop repertoire. Cue the violins as he recreates Parker's seminal 1950 collection of ballads, Charlie Parker with Strings, a well-suited complement to D'Rivera's diaphanous sound. Parker was no stranger to Latin clave, having recorded with Machito and Chico O'Farrill, and D'Rivera mines that catalogue with an uncanny, virtuosic style that channels the ghost of a legend. -- By Aidan Levy
Norwegian hitmaker Bernhoft brings this haircut to Joe's Pub Saturday night
Bernhoft + Baby Alpaca + Cameron Hull Joe's Pub Saturday, 7pm, $20 In Norway, soulful Bernhoft is the country's top-selling artist, winning the nation's equivalent to a Grammy for his patchwork pop-rock. Part of the fascination is that he's a one-man band with an unusual approach to building songs--starting with a vocal loop here and some rhythmic tapping there--but what sets him apart from the Keller Williamses of the world is the fact that Bernhoft crafts unapologetically mainstream tunes in the vein of Lenny Kravitz or maybe Thicke. -- By Kory Grow
Victor Calderone Pacha Saturday, 10pm, $20 Didn't get your fix when Danny Tenaglia headlined Pacha on Friday? Return today to see another Brooklyn boy, Bensonhurst's Victor Calderone, he of the many Madonna and Beyonce remixes, control the decks.
Small Black 285 Kent Avenue Friday, 8pm, $10-$12 The synth-toting Brooklyn quartet Small Black sculpt sounds that owe equal debt to the melancholic melodies of darker new-wave groups (New Order, the Cure) and to the hazy burnout indifference of '60s psychedelic bands. The group's relaxed, gone-daddy-gone vibe originated in 2008 when one of its members recorded some songs above his uncle's Long Island surf house, which explains its "cool brah" vocal style and pleasantly crisp keyboard noodling. And though critics have lumped Small Black in with the rest of chillwave's blurry lo-fi synth softness (and they did in fact release a split with Washed Out), they have put out albums like 2010's New Chain that seem more genuinely pop-focused (and memorable) than that genre's cassette-dubbed clones. They have a new record due in May, forlornly titled Limits of Desire, so maybe tonight they'll give concertgoers a glimpse at the acid trip to come. With fellow fuzzy-sounding friends Heavenly Beat and Imperial Topaz, plus a DJ set by Beach Fossils. -- By Kory Grow
Naseer Shamma and Al-Oyoun Ensemble The Metropolitan Museum of Art Saturday, 7pm, $25 Iraqi oud virtuoso Naseer Shamma brings his eight-member Arab chamber ensemble to the US for the first time in more than a decade. Which is a very good thing insofar as great players of the pear-shaped lute are not exactly a local staple. The Cairo-based performer, who founded the city's Arab Oud House in 1999, is also a Sufi practitioner and prolific film composer who dazzles within either sacred or secular repertoires. -- By Richard Gehr
The Allman Brothers Band Beacon Theatre Friday & Saturday, 8pm, $50.99-$150.99 There are few New York traditions that unite Southern and experimental rock, jam band, jazz, and country fans under one roof, but the Allman Brothers annual Beacon run has become a rite of passage and pilgrimage for nearly a quarter century. They've grown older, perhaps wiser, and more stylistically deliberate, yet no amount of setbacks has stopped them from playing "Whipping Post" or Van Morrison's "Into the Mystic" as the endless, escalating jam-based sermons that made their name. Their psychedelic, fractal-based light show hasn't changed since the '80s either, but a timeless period décor is typical of most religious institutions. -- By Aidan Levy
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