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Full Moon Over the Stonewall: Howard Smith's Account of the Stonewall Riots

Update, June 26, 2015:
This morning, the Supreme Court of the United States ruled in a 5-4 decision in favor of same-sex marriage (read the full ruling and early reactions here). In a statement, New York mayor Bill de Blasio credited the Stonewall Inn for starting the LGBT rights movement: 

"Today, this country is richer — filled with more equality, more acceptance, and more love than yesterday," de Blasio said. "And for the people of this city, where the movement for LGBT rights began in 1969 at the Stonewall Inn, we can be proud that we helped blaze the trail to this great victory."

CNN anchor Anderson Cooper also announced today that his show, AC 360, would broadcast at 8 p.m. tonight outside the Stonewall.

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Update, June 23, 2015:
Today, the Stonewall Inn was granted landmark status after a unanimous vote by the New York City Landmarks Preservation Commission.

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Original story, June 27, 2014:
Saturday, June 28, 2014, marks the 45th anniversary of the Stonewall Riots. To mark the occasion, we've excavated "Full Moon Over the Stonewall," Voice columnist Howard Smith's account of the night he spent on "the wrong side of the blue line," barricaded inside the Stonewall Inn with police.

Smith, who dutifully cataloged the city's cultural flotsam in his "Scenes" column starting in 1966 and continuing through 1983, passed away on May 1 of this year at the age of 77.

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During the "gay power" riots at the Stonewall last Friday night I found myself on what seemed to me the wrong side of the blue line. Very scary. Very enlightening.

I had struck up a spontaneous relationship with Deputy Inspector Pine, who had marshalled the raid, and was following him closely, listening to all the little dialogues and plans and police inflections. Things were already pretty tense: the gay customers freshly ejected from their hangout, prancing high and jubilant in the street, had been joined by quantities of Friday night tourists hawking around for Village-type excitement. The cops had considerable trouble arresting the few people they wanted to take in for further questioning. A strange mood was in the crowd — I noticed the full moon. Loud defiances mixed with skittish hilarity made for a more dangerous stage of protest; they were feeling their impunity. This kind of crowd freaks easily.

The turning point came when the police had difficulty keeping a dyke in a patrol car. Three times she slid out and tried to walk away. The last time a cop bodily heaved her in. The crowd shrieked, "Police brutality!" "Pigs!" A few coins sailed through the air. I covered my face. Pine ordered the three cars and paddy wagon to leave with the prisoners before the crowd became more of a mob. "Hurry back," he added, realizing he and his force of eight detectives, two of them women, would be easily overwhelmed if the temper broker. "Just drop them at the Sixth Precinct and hurry back."

The sirened caravan pushed through the gauntlet, pummeled and buffeted until it managed to escape. "Pigs!" "Gaggot cops!" Pennies and dimes flew. I stood against the door. The detectives held at most a 10-foot clearing. Escalate to nickels and quarters. A bottle. Another bottle. Pine says, "Let's get inside. Lock ourselves inside, it's safer."

"You want to come in?" he asks me. "You're probably safer," with a paternal tone. Two flashes: if they go in and I stay out, will the mob know that the blue plastic thing hanging from my shirt is a press card, or by now will they assume I'm a cop too? On the other hand, it might be interesting to be locked in with a few cops, just rapping and reviewing how they work.

In goes me. We bolt the heavy door. The front of the Stonewall is mostly brick except for the windows, which are boarded within by plywood. Inside we hear the shattering of windows, followed by what we imagine to be bricks pounding on the door, voices yelling. The floor shudders at each blow. "Aren't you guys scared?" I say.

"No." But they look at least uneasy.

The door crashes open, beer cans and bottles hurl in. Pine and his troop rush to shut it. At that point the only uniformed cop among them gets hit with something under his eye. He hollers, and his hand comes away scarlet. It looks a lot more serious than it really is. They are all suddenly furious. Three run out in front to see if they can scare the mob from the door. A hail of coins. A beer can glances off Deputy Inspector Smyth's head.

Pine, a man of about 40 and smallish build, gathers himself, leaps out into the melee, and grabs someone around the waist, pulling him downward and back into the doorway. They fall. Pine regains hold and drags the elected protester inside by the hair. The door slams again. Angry cops converge on the guy, releasing their anger on this sample from the mob. Pine is saying, "I saw him throwing somethin," and the guy unfortunately is giving some sass, snidely admits to throwing "only a few coins." The cop who was cut is incensed, yells something like, "So you're the one who hit me!" And while the other cops help, he slaps the prisoner five or six times very hard and finishes with a punch to the mouth. They handcuff the guy as he almost passes out. "All right," Pine announces, "we book him for assault." The door is smashed open again. More objects are thrown in. The detectives locate a fire hose, the idea being to ward off the madding crowd until reinforcements arrive. They can't see where to aim it, wedging the hose in a crack in the door. It sends out a weak stream. We all start to slip on water and Pine says to stop.

By now the mind's eye has forgotten the character of the mob; the sound filtering in doesn't suggest dancing faggots any more. It sounds like a powerful rage bent on vendetta. That way why Pine's singling out the guy I knew later to be Dan Van Ronk was important. The little force of detectives was beginning to feel fear, and Pine's action clinched their morale again.

A door over to the side almost gives. One cop shouts, "Get away from there or I'll shoot!" It stops shaking. The front door is completely open. One of the big plywood windows gives, and it seems inevitable that the mob will pour in. A kind of tribal adrenaline rush bolsters all of us; they all take out and check pistols. I see both policewomen busy doing the same, and the danger becomes even more real. I find a big wrench behind the bar, jam it into my belt like a scimitar. Hindsight: my fear on the verge of being trampled by a mob fills the same dimension as my fear on the verge of being clubbed by the TPF.

Pine places a few men on each side of the corridor leading away from the entrance. They aim unwavering at the door. One detective arms himself in addition with a sawed-off baseball bat he has found. I hear, "We'll shoot the first motherfucker that comes through the door."

Pine glances over toward me. "Are you all right, Howard?" I can't believe what I'm saying: "I'd feel a lot better with a gun."

I can only see the arm at the window. It squirts a liquid into the room, and a flaring match follows. Pine is not more than 10 feet away. He aims his gun at the figures.

He doesn't fire. The sound of sirens coincides with the whoosh of flames where the lighter fluid was thrown. Later, Pine tells me he didn't shoot because he had heard the sirens in time and felt no need to kill someone if help was arriving. That was close.

While the squads of uniforms disperse the mob out front, inside we are checking to see if each of us all right. For a few minutes we get the post-tension giggles, but as they subside I start scribbling notes to catch up, and the people around me change back to cops. They begin examining the place.

It had lasted 45 minutes. Just before and after the siege I picked up some more detached information. According to the police, they are not picking on homosexuals. On these raids they almost never arrest customers, only people working there. As of June 1, the State Liquor Authority said that all unlicensed places were eligible to apply for licenses. The police are scrutinizing all unlicensed places, and most of the bars that are in that category happen to cater to homosexuals. The Stonewall is an unlicensed private club. The raid was made with a warrant, after undercover agents inside observed illegal sale of alcohol. To make certain the raid plans did not leak, it was made without notifying the Sixth Precinct until after the detectives (all from the First Division) were inside the premises. Once the bust had actually started, one of Pine's men called the Sixth for assistance on a pay phone.

It was explained to me that generally men dressed as men, even if wearing extensive makeup, are always released; men dressed as women are sometimes arrested; and "men" fully dressed as women, but who upon inspection by a policewoman prove to have undergone the sex-change operations, are always let go. At the Stonewall, out of the five queens checked, three were men and two were changes, even though all said they were girls. Pine released them all anyway.

As for the rough-talking owners and/or managers of the Stonewall, their riff ran something like this: we are just honest businessmen who are being harassed by the police because we cater to homosexuals, and because our names are Italian so they think we are part of something bigger. We haven't done anything wrong and have never been convicted in no court. We have rights, and the courts should decide and not let the police do things like what happened here. When we got back in the place, all the mirrors, jukeboxes, phones, toilets, and cigarette machines were smashed. Even the sinks were stuffed and running over. And we say the police did it. The courts will say that we are innocent.

Who isn't, I thought, as I dropped my scimitar and departed.

Full Moon Over Stonewall by tessaestuart


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