village voice
RSS/Podcast feed for Village Voice News Status Ain't Hood
Pine-Sol Lookin' Boy
Saints, Sinners, Obsession, and Seduction
Enter to win a Jennifer Jones and Charles Boyer Film Society of Lincoln Center series pass!
Lit Lounge
Enter for complimentary admission to see Power Solo from Denmark with Band Antenna, Sea That Dried Up, and Chem Trail at Lit Lounge!
Rasputin
Enter to win dinner and drinks for two at Rasputin Restaurant and Cabaret!
DeVotchKa
Enter to win tickets to see DeVotchKa on Tuesday, May 20th at Terminal 5!
United Artists
Enter to win a 90th Anniversary United Artists DVD prize package!
Jazz at Lincoln Center
Enter to win admission for two to one performance of the Québec Jazz Series at Dizzy's Club Coca-Cola!
Iron & Silk
Enter to win 5 personal training sessions at Iron & Silk Fitness!
NYC Life
Counter Culture
Is African Food the Next Big Thing? Maybe With Merkato's Spectacular Catalog.
Famed Aquavit chef offers a kaleidoscope of African fare in the meatpacking district
by Robert Sietsema
March 25th, 2008 12:00 AM

Verging on theme-restaurant territory
Andy Kropa
Merkato
5555 Gansevoort Street
212-255-8555

Is African food poised to become the next big thing? Marcus Samuelsson thinks so. Though he grew up in Sweden and cut his eyeteeth cooking Scandinavian food at Aquavit, he was born and bred in Ethiopia. Now, Samuelsson seeks to return to his natal roots at Merkato 55, showcasing food from throughout the African continent. Don't be put off by the location in the meatpacking district, where Herman Melville wandered the cobbles long before Lindsay Lohan. There's some daring and thoughtful cooking going on amid the glitz.

We arrived in a driving sleet to find a drafty room with an L-shaped bar on the left, and a high-ceilinged dining room on the right. The drafty part has since been remedied by a very African excess of heat. The room is decorated with lights swinging eerily in teardrop-shaped baskets, a giant map of Africa that looks like it was torn from a Coptic manuscript, and a colorful painting of charging elephants. "I wish this didn't look so much like a theme restaurant," Adam, the webmaster, lamented.

Samuelsson ambitiously and evenhandedly tries to cover the entire continent. He nearly succeeds, partly because the menu is so long, with nearly four dozen choices. The dishes are of wildly different sizes and densities, making it a challenge to put a meal together. Let's first look at the Ethiopian stuff: The only full-blown entrée is doro watt ($26), often called the national dish of Ethiopia. Exhibiting a marvelous depth of flavor, the crimson chicken stew arrives swaddled in homemade injera, a fermented flatbread made with millet-like tef. (Note that in Ethiopia, there are 20 different varieties of injera; in New York, we get only one.) Instead of the usual boiled egg, Samuelsson drops a wad of cottage cheese into the gravy, a substitution reverently within the Ethiopian canon.

Ethiopian, too, is kitfo ($11), a miniature tartare of shredded meat lubricated with cardamom-scented butter. Samuelsson supplements the traditional beef with tuna and lamb renditions. Though the kitfo isn't really raw (the hot butter cooks it to a medium rare), the wild richness remains. The kitfos appear on the menu in the left-hand column, the narrow width of which apparently indicates the small size of the dishes. In this column sits a random collection of condiments, designated as sambals and chutneys—the latter including an exemplary apricot blatjang from South Africa ($4), and a misconceived foie gras chutney that found us chasing little bits of cold liver around the narrow bowl.

The section also includes such Middle Eastern dips as hummus and baba ghanoush, reminding us that Egypt is part of the African continent. Alas, the dips come with toasted commercial pitas, a cardboardy material that might better be sent to the troops in Iraq as body armor. To go with the dips, spring for the $6 selection of African breads. These include meali (a sweet, fine-textured South African cornbread shot through with black sesame seeds) and za'atar (an herb-topped Middle Eastern focaccia).

North African fare is well-represented by lamb kefta ($19). This rarely seen Moroccan tajine features spicy meatballs topped with a fried egg, and the chef improves on the formula by using smoked tomatoes in the sauce. Among the "Small Plates" is a distinguished oyster service ($15) that heaps harissa mignonette and melon granite on a half-dozen bivalves. Out of Angola swims piri-piri shrimp, a dish legendary for its hotness throughout the Portuguese-speaking world. The critters are large and luscious, but the spice coating is way too bland to merit the name "piri-piri." Among the "Large Plates," South Africa is again represented by sosaties, sweet-sour kebabs usually made with lamb, but here deploying stylish venison. The recipe is associated with the Cape Malays, a group that first arrived in the 17th century, when Dutch colonialists deported troublesome Indonesian Muslims to South Africa.

West Africa is sadly underrepresented on Merkato's menu. A chicken soup with celery and avocado sports a lump of peanut butter in its depths, seemingly inspired by the Senegalese peanut sauce known as mafe. The soup requires you to stir the lump into the thin consommé, and the result is really not worth the effort. Though name-checking the Senegalese capital, so-called steak Dakar ($26) owes almost nothing to the city, with its coriander butter and spice-coated fries. The thin puddle of plantain fufu ($7) offered as a side dish is a pale reflection of the springy and well-beaten mass served in Nigerian restaurants.

Certainly, you can get better West African food in nearly any borough. Yet what other place dares to offer such a spectacular—if flawed—catalog of African dishes?

More Counter Culture
Lower East Side Fujianese Joints Becoming More Refined

Jigger of Gin at a New Grand Street Cocktail Lounge
In a pickle at a fashionable Williamsburg cocktail lounge

A Talented Guerreran Cook Climbs Down Off the Awning
Restaurante Taqueria Guerrero near the corner of 39th Street and Fourth Avenue

Got Vino? Try the Village's Gottino!
An appreciation of a new wine bar and a plea

An Uzbeki Tea Parlor on the Boulevard of Death

Add a Comment

Not ? Login as a different user.

All reader comments are subject to our Terms of Use. By submitting a comment, you acknowledge that you have reviewed and agree to these Terms of Use.

Login or Register

Login or register to have a chance to win Free Stuff, subscribe to newsletters and much more!

Login Register
Senait3 on Sun Mar 30, 2008, 01:30, says:
Ornette Coleman said that music is not a style but an expression. Can we say the same about food? What is authentic food? What is authentic African food in this century? Marcus and his team had the 70s in mind when developing the concept for Merkato55. The early 70s were the highest point for the African continent. It is that apex time that is the inspiration for the decor of Merkato55. As soon as I walked in the restaurant, I literally felt the beat and the energy of the early 70s in Africa, and I recalled FESTAC. I was only 10-13 years old then but I understood what could go right during those times. Before I could share my impressions with Marcus, soon after he greeted us, he started to talk about the driver concept for Merkato55, which was not far from what I had in mind. He though put emphasis on the Democratic Republic of Congo (former Zaire) when the Muhammad Ali/George Forman boxing match took place, back in 1974. Interestingly, we had the same impressions of African history even though he was raised in Sweden and he is nine years my junior, and I was raised in Ethiopia. Let's also keep in mind that Ethiopia is composed of various ethnic groups. I also grew up in a family setting where the food on our table was composed of recipes from the different Ethiopian ethnic groups, as well as European and American sources. Our versions of burgers and tomato sauces were more seasoned than the American or the Italian "originals." I still crave for the Ethiopian than the “authentic" versions of these staple foods. In my time, Ethiopia was and is still the custodian for the African Union, which is headquartered in Addis Ababa. I was schooled in an international setting and I worked in international organizations all my life. Given my background, I may be predisposed to the idea of fusion than someone with an homogeneous upbringing.

We know by now that Marcus is about fusion. Fusion by definition is unique and personal. Aquavit is not about "authentic" Northern-European food. The same categorization applies to Merkato55. Historically, African home cooks and chefs have been creating variations and new dishes. The African culinary field is not static. In Ethiopian cooking there is also an element of secrecy, which is meant to sustain a strategy for competition and encourage individual preferences. African cooking does not necessarily abide by the assembly line concept. For the record, the famous Ethiopian Doro wat is never the same from house to house or from cook to cook. That has always been the beauty of it. As an African, I welcome the new fusion at Merkato55 that is inspired by African and African-Diaspora cultures. For the record, Marcus and his executive chef, Andrea, are not the first ones to introduce African fusion to New York - just drop by in Brooklyn. Innovation has always been welcomed in Africa. Empress Taitu of Ethiopia (19th century) was known to be the first to incorporate coriander in bread baking, and also for having told an Austrian expatriate woman that she need not worry because we Ethiopians can bake cakes our way. The Austrian woman was concerned that her regular supply of pastries to the Ethiopian court was going to be discontinued when she left Ethiopia. I commend Marcus and Andrea for their African inspired fusion. For those that are looking for “authentic” foods outside from their regions of origin, I wish them good-luck. As for some of us, we will continue to look for personal expression in the culinary field and we will not settle for prescribed content and repetition for repetition sake.

In addition, we’re proud that Marcus has showcased African inspired food in the hot meatpacking district of New York, and that he put a fair price tag on each dish. Given the star-chef setting, the complexity of the ingredients, the culinary and aesthetic creativity that is involved, New York real estate, and mostly the spiritual satisfaction that one gets, especially as an African, I think that the price is well justified. Therefore, a comparison in price with other “ethnic” restaurants would be flawed, because Merkato55 is not an ethnic restaurant. I choose not to argue the construction of ethnicity in the restaurant and eatery business, considering that “ethnic” in the West also connotes bargain price. That is another touchy subject.

As I told Marcus, next time I will take holy water to sprinkle around so that more good tidings continue to come their way – just another African gesture.

The Village Voice Ad Index
The Village Voice Summer 2008 Education Supplement

» click here to see more...

The Village Voice Spring Arts Supplement

» click here to see more...