"From the outside, it looks normal and happy," Canadian artist Sarah Anne Johnson says of the large, three-story dollhouse she painstakingly built by hand—normal, that is, until you notice the windows turned sideways, tree branches emerging from a cupola, and bright flames on the roof. Things get weirder inside: The kitchen is melting, one room sits under a pile of snow, a hospital hallway shines under fluorescent lights. "Everything's to scale, and perfect," Johnson says. "Except for... More >>>
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The End of the Lower East Side's Last Great Rehearsal Space (2)
