There's a case to be made that the two poles of fin de siècle commercial movies are dehumanized live-action cartoons and their supposed antithesis, the messy neo-neo-realism of the Dogme group and its fellow travelers. This opposition has nothing to do with avant or derriere gardes. Dogme may be a reaction against deluxe production values, but it likewise benefits from the new digital technology, and crypto-animation does not belong solely to mega-budget sci-fi... More >>>