Thesis: Industrial music, in its original late-'70s incarnation, was the second flowering of an authentic psychedelia. ("Authentic" meaning non-revivalist, untainted by nostalgia). There was the same impulse to blow minds through multimedia sensory overload (the inevitable back-projected, cut-up movies behind every industrial performance—attempts at "total art" only too redolent of 1960s happenings and acid-tests). And industrial, like psychedelia, believed "no sound shalt go untreated"; both adulterated rock's "naturalistic" recording conventions with FX, tape splices, and dirty... More >>>