Count our blessings. No sooner does the screaming summer-movie emptiness begin to envelop the city than Subway Cinema's annual fest of new East Asian pop cinema uncorks a refreshing cataract of psychotic invention, genre excess, and meditative derangement—often in the shape of movies that have no chance of distribution or a slot in a tonier local venue. Who knows what chances the fresh Seijun Suzuki film has under any... More >>>