Black puppeteers have masterminded successful white musical acts for decades. But while Ruff Ryders producer Swizz Beatz tinkered behind the curtain to make multi-million-selling tracks for the likes of Limp Bizkit, Metallica, and Marilyn Manson, more and more black producers and white artists are celebrating the symbiotic coup of connecting the cred that comes with blackness to the dollar signs studios see when they can market hip-hop hybrids with a white face to white kids. Universal Music and Texas-based label Swisha House are banking on it with their respective September releases... More >>>