No director embodies the relationship between cinema and song like off-center hypnosis merchant Jim Jarmusch. For 30 years, his musical obsessions have inspired meditative, idiosyncratic, devoutly independent films—his recurring themes of displacement and unease likewise preoccupy the hip-hop, metal, indie rock, and downtown-jazz stars who dot his soundtracks. Jarmusch's films are often directly inspired by his mixtapes and fave raves—or, as he says, "It is leading me, and I'm following"—resulting in a mesmeric poetry where celluloid and music are inseparable from frame one, whether it be the languid cool of Tom Waits... More >>>
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Stoya, Pop Star of Porn (3)
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