At a recent Imogen Heap show at Avalon, a guy in front of me with a Canon ELPH was making a video clip. The auteur crept from Heap's sequined stilettos up the mic stand ivied with plastic roses, to her hands as they switched from laptop to synth. Onstage Christmas lights blurred every time he moved. I was transfixed by this Nanotron flick, and strangely excited that, for the moment, the shooter's perspective and fixations were known only... More >>>