Nora Ephron can't direct her way out of a popcorn bag. She has no sense of pace; spatial relations elude her; and her answer to just about any situation is to blast a pop song. But bad directors are a dime a dozen, and Ephron's ineptitude isn't the worst thing about her. What's more irksome is that she's somehow managed to con many people into thinking of her as someone who can play the Hollywood game while maintaining some kind of integrity. In fact, her "romantic comedies" are not only as impersonal and interchangeable as the Starbucks outlets so... More >>>