The sequence is subjective, shown through a 16mm viewfinder. The camera approaches a bored London tart, follows her upstairs, films her undressing, moves in for a close-up of her suddenly expressive face and... Cut to a noisy 16mm projector and the filmmaker-killer having his orgasm while watching the screen-filling image of the dead woman's silent scream. Then the title. For those sleepy critics gathered in a London screening room one spring... More >>>