It was always self-evident that when Spike Jonze, the most offhandedly avant-garde and whacked-out of the MTV brats, moved on from commercials and music videos to feature films, the result would acquire instant cult significance. But even his most inventive promos (the Beastie Boys' "Sabotage," Fatboy Slim's "Praise You," the Levi's operating-theater spot) could not have prefigured the... More >>>