Otto Preminger belongs to film history; beyond that, the consensus ends. Was he the artist-crusader who stared down the MPAA, Cardinal Spellman, and Ku Kluxers—or an opportunistic, penny-wise producer with a genius for forecasting the winds of change and handpicking his bouts for maximum headline type? Nor did he help himself by sowing pleasant memories: In a new critical biography by Foster Hirsch, Preminger veterans who weathered the director's infamous outbursts question not only his legacy, but even his... More >>>