In the 1960s, I noted a surge of hybrid dance works that I thought of as "balletomodern"; their choreographers joined the heft and drama of modern dance with muted ballet chops (think Glen Tetley et al.). These days, I'm tempted to think of the latest mixed breeds as "pomoballetic." Anything kind of goes with anything. As long as it's sexy, glamorous, and virtuosic—perhaps with allusions to pop culture—it doesn't need to make sense in any even... More >>>