“The hurt gets worse/and the heart gets harder” goes the Warren Zevon tune that informs the title of Grant James Varjas’s entry into the crowded, gaggle-of-gays-sittin’-around-talkin’ canon. But the fact that Zevon is the reference and not, say, Lady Gaga, is the first hint that there’s a tad more soul in this play’s stroll. And it’s quite refreshing to see a gay-themed play that features not only a mostly middle-aged cast, but nary a flash of skin or a well-muscled backside to create a... More >>>