For three months in 2010, Serbian-born performance artist Marina Abramovic sat in a chair in a gallery at the Museum of Modern Art and directed her full, silent attention toward individual visitors seated across from her, seven hours a day, six days a week, without eating or drinking. Stillness as an endurance event exacts a surprising physical toll, but as a younger woman, Abramovic had performed similar pieces for longer periods, once while fasting. The crowds at MOMA were huge. James Franco attended. The chair had a... More >>>
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The End of the Lower East Side's Last Great Rehearsal Space (2)
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